Wednesday, September 30, 2009

after Kurt Graf’s UNTITLED

—after Kurt Graf’s UNTITLED


Waltz of flame dance through fire rings
a hover spectacle
way way provoked to visualize from the selves of self-portrait carvers’
carefree assimilations. Shape a broken plate unswept. Porcelain
crumbs lay wilted, a half-clothed moon more nude. Why do the benefitted seek
the well’s drowning pennies? An afar near afar look high the mountain
crying!
Can muscle this ornate rely on emotional air
alongside
the beautiful dress of sweeping birds
too
allowing its tonal feature to appear mauve
though brown is the sleeping blanket covering
its at ease limbs?


--From Felino Soriano's Altered Aesthetics (Ungovernable Press.)

lightbulb & curtains



--Wayne Hogan has made numerous appearances in places like Spinning Jenny, Abbey, Rhino, The Quarterly, and The Christian Science Monitor. Visit his website at waynehogan.com.

Trump Card

Trump Card


Gut instinct guffawed at my
seemingly thoughtful decision,
a choice pondered from every
circular degree, acutely from
multiple angles, and which I
believed was right

But, alas, a cloudburst
matter-of-factly washed away
every particle of certainty,
exposing the winning trump
card that gut-instinct held in
its hand

“Keep the faith, baby,” I heard
my stomach growl, which made me
wonder if that was the highest
trump card in the deck

--Eric Miller is a retired dentist who has laid down his drill for a quill. His work appears or is forthcoming in Foundling Review, Poetry Friends, Writers' Bloc (Rutgers), Calliope Nerve, Flutter Poetry Journal, Clockwise Cat, The Cynic Online Magazine, Troubadour 21, Word Catalyst, Short Humour, Word Slaw, Stories that Lift, Blink | Ink, Boston Literary Magazine, The Storyteller, A Handful of Stones, The Stray Branch, Bolts of Silk, Bartleby-Snopes, Oak Bend Review, tinfoildresses poetry journal, The Green Silk Journal, and Poets Against War (Canada).

A Modern Fable

A Modern Fable


Vera Watkins began living in the shell of an abandoned Crown Victoria after the plant closed and the bank foreclosed on her home. Charlie Pierson interviewed her for one of his final stories for the Star-Ledger before they went bankrupt.

A few months later, they both landed jobs at The Life Boat Café, where they dressed as pirates and called out to folks walking down Main Street, "Ay, Matey. Fine fish to be had at The Life Boat."

Two days ago, in separate parts of town, Vera and Charlie slit their wrists.

No newspaper was available to publish their obituaries.

--Wayne Scheer has been locked in a room with his computer and turtle since his retirement. (Wayne's, not the turtle's.) To keep from going back to work, he's published hundreds of short stories, essays and poems, including, Revealing Moments, a collection of twenty-four flash stories, available as a free download at http://www.pearnoir.com/thumbscrews.htm. He's been nominated for a Pushcart Prize and a Best of the Net. Wayne can be contacted at wvscheer@aol.com.

Tuesday, September 29, 2009

Calliope Nerve Interview Series: Billy Jno Hope



Tell us a little about your background. Were you born in Dominica? How did you end up in NYC? Are you enjoying the Big Apple?

I was born in the Commonwealth of Dominica. Father was a school teacher and Mom a home maker. I basically grew up in a small village called Fond Cole. This shaped me from the beginning. Inside my house there was the intellectual stimulation and outside the hardcore streets. I blended the two into the poet that I have become. I love NYC. The perfect place for my haunting.

Are you a full time writer? If not, what is your day job?

I am a poet first and foremost so it is what I do. So whether am a full time writer or not does not really matter. I am a student attending college.

How many poems have you written? Where can we read samples of your work?

I have written hundreds of poems. You can find them on http://poetry.catharcyst.com.

How many books have you written? Where can we purchase them?

I have published three books of poetry. You can purchase two of them online at http://www.cafepress.com/seedling.11115199, http://www.lulu.com/content/523022, and http://www.amazon.com/Thirty-Third-Witness-Billy-Hope/dp/B002ACMPD6/ref=sr_1_1?ie=UTF8&s=books&qid=1253459812&sr=1-1.

Why do you write? Do you have any particular goals in regards to your writing?

I write because I have to. It balances me, gives me perspective. I am a story teller. I want my stories to be made into film eventually. I am working towards to that goal.

Do you consider yourself an underground artist?

No doubt I am an indie artist.

Where does you voice come from? Influences? Beat poets.

My Ghetto homeworld. Music.

How do you approach a write? Believe in writer's block?

Writer's block is real. It hurts when nothing comes from the cosmos. You feel like you've sinned so you gotta atone. I open myself as wide as possible to make the whole flow in. Then I filter and keep quintessences.

Listen to music while you ? Who?

Sometimes I do. Trance and ambient works best for me.

What other interests do you pursue?

Well I am a Linux addict and an opensource advocate. Computers are my life. I do web design and development as well as repair computers.

Do you have an 'ideal' reader?

Too many to mention. I am reading Simulacra and Simulation by Baudrillard right now.

Have you won any awards? Do accolades matter to you?

Back in my home country I won prizes for my short fiction and poetry. Won an essay contest in college in my first semester. Accolades are just accolades. I write for my soul.

What other careers have you had? What is the worst job you've ever had?

Worst job was working for the government like a drone.

Do you consider yourself prolific?

Yea but lately I have been disappointing the muse. Need to get back to the heart of the matter you know.

What advice do you have for other writers whether new or seasoned?

Write like a fiend and don't look back. Write till it hurts and then go get a drink with other free spirits. :)

What does the future hold for Billy 'Jno' Hope?

Movies. Indie films. I recently did a small part in a short film. Definitely enjoyed it. Can't wait for my scripts to breathe. Now am trying to buy equipment. I do have a fourth book of poetry finished. Just need to publish it. It will be online soon. Name is "Sinners in Crisis".

Scars on the Raindrops

Scars on the Raindrops


the timing was always bad

a dago red window

hemorrhaging heat

petechial scarlet spring

both Venice and Vienna



a glass eyed doll

limp on a balcony

suggesting scenes

dreamed by Fellini



Christmas lights

startled by the depth of their own blues

blinking in early May

waiting for the late darkness to descend



damn this mirror as it shatters

as you open your arms again

hoping for a song this time



comparing common scars

on the raindrops

off-white and awful

set deep in azure



she blew songless bluebirds

out of the right side of her mouth

from the left

she blew penny wishes

blew haloes and grace notes



eyes so still and steady

unblinking

as she gave that confession

to you

her camera



she was quite the actress

her face exquisitely lit

on one side

the softness of shadow

on the other



a gentled moon

clair-obscure



that long flowing jawline

a dangling dolichoid dancer

her mouth a beautiful wound

a strawberry roan

ready to run



and you wished

she would blink just once

just close her eyes –

both blue flower and flame –

allowing rest

possibly dreams



her body was a limestone cathedral

and yours

a snake willing to swallow

anything before it.

--William Crawford has been writing creatively for over twenty years, he has been published on odd occasion; most recently by Leaf Garden Press. He lives in Philadelphia, Pennsylvania and works in the music industry; he is also involved in animal rights. He is currently working on a collection of short fiction and a poetry chapbook. He is not the type of person who will only make a brief appearance in his own life story.

Monday, September 28, 2009

Sacred Architecture



--Wayne Hogan has made numerous appearances in places like Spinning Jenny, Abbey, Rhino, The Quarterly, and The Christian Science Monitor. Visit his website at waynehogan.com.

Bluebird Notes

Bluebird Notes


(for the emotionally honest)

the headlights projected the road
the rumblestrips kept us awake
we took the river route
a serpentine fire road
listened to Bobby Timmons
moanin’ on the radio

the river on one side
distant city lights and stars
brightly bouncing of its skin –
ghost lambency
a floating ballroom ceiling

the woods on the other
hissing blackjack trees
and wild blooming darkness
wood nymphs with voices like recorders
moon mad and luminous
naked and there for the taking
spread-eagled on evergreen altars

it’s not a treasure once it’s touched

we kept moving
and our minds reluctantly followed
knowing all dreams lack conclusion

we knew we were back in the city
when we spied a black-eyed feral child
skinning something beautiful
on the heat frayed median
then we watched a fountain
remake itself over and over again
youthful as spring

as a murder of crow-faced cops
descended on a gray, trembling man
skin like old newspaper – naked as sin
hung like a cashew

the twin stroke girls
stood there pointing and grinning
cyanide smiles
unaware that their beauty
would soon too blow a fuse

it was a sad scene
we took in the misery
now sick of motion
welcomed stasis
the urge to die young
even if we couldn’t afford the funeral

to be forgotten
then remembered again
in moving sheets of indigo melody
in sustained bluebird notes
in standing applause
like hard clean rain

a round for us
and two for Timmons

his restless hands
knew this mood,
this feeling

all too well.

--William Crawford has been writing creatively for over twenty years, he has been published on odd occasion; most recently by Leaf Garden Press. He lives in Philadelphia, Pennsylvania and works in the music industry; he is also involved in animal rights. He is currently working on a collection of short fiction and a poetry chapbook. He is not the type of person who will only make a brief appearance in his own life story.

Torn From The Willow

Torn From The Willow


a photograph of a marigold
warmly fingered and folded countless times
the wrinkles are dry riverbeds
where sincere rain once rushed
with a graceful rage
towards a strange sea
seeking inclusion

a faded sun
set to shatter on the bold horizon
brightly burst with new birth
a beautifully formed daughter
whose radiance is willing to bend
contort itself so that it touches the darkest corners
washing them brilliant
as the shadows Munch scream and dissipate

can you still see the LĂĽscher bruises
that sharply ache beneath this breath catch beauty?
that wish to inherit a trade wind
press your hand to her belly
there’s a sea change
feel a kick that tests for echo
and it’s ok if your hand shakes a little
and it’s ok if the answer is late returning
for now this is home

yes, it can begin the way a dream ends
stretched across this wondrous distance
coruscating with newness
with all the honest colours of fire
soft autumn parades and fanned smiles
matching eyes and wings now tested
mended by a wind
that remembers you
as a precious thing
torn from the willow

we can draw our own conclusions
in song and in sonnet
on the bleeding red wall of a heart
we almost pawned – in haste
guided by a worthless hunger

we can touch this
and still call it a treasure
we can release it
and be certain of return.

--William Crawford has been writing creatively for over twenty years, he has been published on odd occasion; most recently by Leaf Garden Press. He lives in Philadelphia, Pennsylvania and works in the music industry; he is also involved in animal rights. He is currently working on a collection of short fiction and a poetry chapbook. He is not the type of person who will only make a brief appearance in his own life story.

Sunday, September 27, 2009

A Calliope Experiment

A neat little test thing I did. I can't afford the package right now but gives me great ideas for the future. Old friends of mine will recognize most the captions as this simple presentation encapsulates much of what Calliope Nerve is.

Everyone have a great and safe weekend.

Keep the faith.

Peace, love, death metal.

Nobius out


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Calliope Nerve Interview Series: Gary Beck



Tell us a little about your background. Your bio states you've had some interesting career tracks.

I started writing poetry at age 15. I got involved with not-for-profit theater at 16 1/2. I got my first art gallery job at 17. I've been a tennis pro, a clerk, a salvage diver and the only work I loved, a theater director.

Are you a full time writer? If not, what is your day job?

I'm retired from other other jobs, so I'm a full time writer.

How many poems have you written? Where can we read samples of your work?

I've written over a thousand poems. Hundreds have been published. You can find some work if you Google me.

How many books have you written? Where can we purchase some of them?

I've written a number of novels and excerpts from them have been published in literary magazines. My first poetry book, "Days of Destruction," is available on Amazon.

Why do you write? Do you have any particular goals in regards to your writing?

After I breathe, drink, eat, several other vital functions, I write. I always seek excellence. Lately I'm concerned with social issues.

Do you consider yourself an underground artist?

I'm definitely above ground, at least until I'm finally interred.

Where does you voice come from? Influences?

My voice is generated internally. Lots of influences Steinbeck, Eliot, O'Neill, Baudelaire, many others.

How do you approach a write? Believe in writer's block?

Tolstoy said: "I write when the spirit moves me and the spirit moves me every day." I sit down and do it. Is writer's block a football term?

Listen to music while you ? Who?

No music while. Before and after Beethoven, Wagner.

What other interests do you pursue?

Essays about what I consider vital issues.

Have you won any awards? Do accolades matter to you?

I've won awards for theater, video directing and public service. Accolades mean nothing. Only a wide readership matters.

What is the worst job you've ever had?

Worst? Digging ditches in Germany. The stultification of being a clerk

Do you consider yourself prolific?

I am moderately prolific.

What advice do you have for other writers whether new or seasoned?

Write. If you want to be commercial, network.

What's next for Gary Beck?

Recognition, or obscurity.

Saturday, September 26, 2009

THE ROCKS

THE ROCKS

 
The rocks were coming from somewhere. And O they were such large rocks. Too
large for a man of average stature to throw bare-handed. They were the kind of rocks you
find out around Kingman and Flagstaff and near Riodoso, too. The kind of rocks tha'd
almost certainly have to be dropped from a helicopter, say, or rolled off some high cliff
somewhere. And they kept coming, like it was raining rocks.

There was the horse, too. The horse with a bridle and a saddle with a medium-weight
man in an angora sweater and a brand-new pair of brown-and-white, wing-tip Florsheim's
sitting in it, his head turned back to where the horse was coming from. The horse was a
satiny brown with a large whie diamond marking on its forehead, and, yes, kind eyes.
Its matt-free tail hung nearly all the way to the ground. Not a single fly was anywhere
near the horse. Not a single rock fell anywhere nearby.

Days passed. Not a single person had been seen anywhere. Not even a dog. The
sun rose. The clouds formed. It'd come a quick rain shower --- a splash, they called
it --- and then the rain would suddenly stop. The sun would set and the moon and stars
would come out. Day unto night. Night unto day. Not a single person or dog to be
seen anywhere

* * * * *

There was a tree. A tall, wide-spreading tree. An aging cottonwood, could be. The
tree was along the left bank of a shallow stream running through a field of bright-blooming
four-leaf clover. The earth rose softly off to the right a-ways, and there, where it became
a baby hill, sat a small, old-fashioned church with a red door and a red roof. Its modest
Christian cross lay defenseless not far away. The red door hung half-way open, like a
Sam Spade might be stepping through it at any moment, and the grass and weeds all
around the church stood knee high or more.

Some cumulus clouds floated low and tenderly across the vast sweep of land below.
They had been over Gallup the night before and, if all went well, would be over Oklahoma
City by about noon tomorrow. In this short span of time, these clouds would witness and
ineffably record a thousand or more Caesarean births, nearly one hundred bankruptcies,
dozens of total immersion batpisms at mostly First Baptist Churches, scores of lawn
mowings and leaf-rakings, and an ever-rising number of deaths by self-suffocation.
Clouds. The statistical repository for the cosmos.

* * * * *

The aircraft carrier was in the South China Sea within sight of the South Korean
shoreline. Its planes were taking off and landing interminably. At least once a day,
General Quarters would be sounded, sending both cooks and real seamen alike to man
the same gun turrets. When declared safe by the brass to do so, the enlisted men would
be given permission to sleep through the long, hot nights beneath the anchored planes
on the flight deck. From corner to corner, the immense sky was nearly always filled
with stars, and the friendly expanse of the horizonless ocean gave but the most gently
affirming swinging and swaying motion to the by now soundly-sleeping sailors.

* * * * *

A blank sheet of mostly white paper dipped and doodled across the ground, pushed
by the huffing and puffing of a wind that was getting stronger, now. From glancing off
first one rock and then another, the sheet of paper was showing its many signs of wear,
with nasty-looking smudges and a rip-tear here and there. But it flittered on, it would not
be deterred. It was going somewhere.

And those rocks. Those large rocks. They were coming, still.

END


--Wayne Hogan has made numerous appearances in places like Spinning Jenny, Abbey, Rhino, The Quarterly, and The Christian Science Monitor. Visit his website at waynehogan.com.

ONE

ONE


It's wet in the palm,
this mediocre sampling of hours.

I am one session of waiting.

Each minute has become litter.

I am seven sessions of waiting
either on a phone call
or the Detroit public transportation system.

Getting poured into the driveway
barefoot,
boots in hand,
very unseasonal.

This is an epitaph composed in a dry place
which just so happened to have
free wireless.

Most of my volume is determined by a tiny man
in a red robe. Not from the Klan, of course,
from the Church where I almost drowned as a toddler
and where I flogged my imagery as a teen,
where I circled the parking lot on Christmas
finally deciding
no

--From Joseph Goosey’s thirteen poems written inside your local zaxby’s (Differentia Press.)

Friday, September 25, 2009

The undertain, but assured

The uncertain, but assured


My bones, so well-preserved, appear pearl-surfaced
As if a chamois-cloth polished ivory from an elephant’s tusk,
Mirror-surfaced, if ever dug up,
One could see reflected their eye color and their countenance,
But these bones are all mixed up,
Not arranged to form a human skeleton.
I cannot observe and tell
If I were tall or short when alive.

These bones so well preserved
Were found inside a wicker basket
Buried in the desert sand, near Nag Hanmadi,
The place where the Gnostic Gospels were found.

This discovery of my bones in Egypt
Puzzles me, for when alive I never
Was in this location. My name was Pimpinelli,
A mayor of a city in Italy, a Bel Signor,
Who left the management of the city
To my less glamorous subordinates,
I did all my law making with campari, chianti,
And soubrettes, like Casanova,
Every night a rendezvous, la, la.

I cannot understand why my bones were
Found in wicker basket, my tomb
Was grand, copied from the tomb
Michelangelo designed for Julius.
But instead of a statue
Of a horned Moses, there was
A statue of a naked Venus,
On the four corners there were
Not saints, but naked nymphs
All reaching with slender arms
Toward my entombed body.

Why, were my bones found
In Egypt, haphazard in a wicker basket.
Could it have been I was not
Who I thought I was when alive,
When alive we are not sure who we are,
Could it have been the same
When we are dead. It is that
We never know who we are,
And spent our lives
And our deaths fantasizing.

But I recall very vividly the
Naked body of a girl named Bella,
A chorus girl, I poured campari
Over her body on an eiderdown bed.

But I also remember being mayor
Of a plague city in the Netherlands,
The white streets, scrubbed constantly
By slaves were immaculate white.
But when the plague came
The streets, crowded with
The pressed-against each other,
Bodies of rats,
The white streets became grey.
I was not mayor then, but I
Answered the riddles of the phoenix
And the plague disappeared.
I was the first blind man
Ever elected mayor of this city
Whose name I cannot remember.
When I died, it was said
In the eulogy my name
Would live among the names
Of other famous blind men:
Homer, Oedipus, Tiresias, and Spider,
The Anansi’ trickerster god.
But now I cannot be sure
What my name was,
Could it have been Pimperelli.

Bella, where are you?

I remember Bella. You were a Slavic-Teutonic blonde
With the palest olive-colored skin.
My death certificate found
With my beautiful bones in the wicker
Basket said my name was
J. Wellington Wells, a seller
Of discounted occult books
And discounted spells. I was
Described as a charlatan
And quack who lived in London.
Thomas Caryle mentioned me
In his famous tome on quacks.

It said my son ran away from home
To become a shaman
In the south of South America,
And discovered by collecting bones
The theory of natural selection,
Darwin stole the theory
From my son, the South American shaman.
Wallace knew about the theft,
T. H. Huxley bribed the blackmailer
To stay mute about the truth.

The death certificate also said my wife
Was an actress named Sybil Vane,
Who spent her days in a white room
Crowded with white orchids, while
She drank whisky sours. She was
Often heard to utter as she looked
Into a mirror lines from Oscar Wilde,
“Beauty is superior to Genius.”

I do not remember any of this
That is written on the death certificate.

All I remember,
Eiderdown,
Campari,

Bella.

--From Duane Locke’s Soliloquies from a High Wall Hidden Cemetery (Differentia Press.)

soup cans



--Wayne Hogan has made numerous appearances in places like Spinning Jenny, Abbey, Rhino, The Quarterly, and The Christian Science Monitor. Visit his website at waynehogan.com.

Buried

Buried


The broken-down and dying
scribble their detached names
in the muddy, coastal sand.

Each stroke of driftwood
a wound they suffered alone;
their toes buried in discomfort

from walking barefoot in circles.
Dead starfish and brown seaweed
litter the beach like discarded

bones, marrow intact. A hermit
crab picks at the decaying bodies,
attempting to retrieve the secrets

of the ancient cerulean sea. But,
she will never reveal her mystery,
her connection to the moon's clock.

Quickly erases the beach graffiti
with the curl of the tide, knowing
the sunset will bring more souls,

sleepwalking their way into her arms.

--Sandy Benitez spent her childhood traveling the world as a military brat. Buried was previously published in Oak Bend Review. Her poetry has appeared in over 95 print and online poetry journals such as Contemporary American Voices, The Clearfield Review, The Orange Room Review, Elimae, Full of Crow, Lung, and Loch Raven Review. Sandy currently resides in Wyoming with her husband, 2 children, and 2 chocolate labs. Her first book of poetry, Ever Violet, by D-N Publishing is available by contacting the author at SandyB1070@msn.com.

Ransom

Ransom


We don't negotiate with terrorists?
Of course we do.
We accede to every demand,
we pay all they ask --

we render every sacrifice:
hair, breasts,
testicles, voice boxes;
pieces of ourselves;

and offer up as tribute:
basins full of vomit;
adult diapers full
of irradiated excrement;
pieces of our dignity.

Oh, if we had only
thought to demand
proof of life
before we paid --

And terrorists do
what terrorists do --
move on,
take another hostage.

--KH Solomon knocked around for years pitching water conservation in places common to strange. Now Ken dilatorily pursues a second career, curmudgeonly beachcomber, in Morro Bay, CA. He finds it pays about as well as poetry. His poems have appeared in ZYZZYVA, The English Journal, River Oak Review, Conclave, The Healing Muse, and others.

Thursday, September 24, 2009

the angry american



--Wayne Hogan has made numerous appearances in places like Spinning Jenny, Abbey, Rhino, The Quarterly, and The Christian Science Monitor. Visit his website at waynehogan.com.

Painters’ Exhalations 522

Painters’ Exhalations 522


—after James Verbicky’s Drop Shadow

Shadow has hands
wears
commentary on
calamine gloves.
Shadow was a man
now gone
gone
gone, escaped
crime’s
counterfeited semblance of
reality based solely
on the being existing
under contents of specialized
devotion.

Victim
wore a weeping wind dress,
her
silence living loudly
between ears of an elderly mother,
reminded of the bouquet blooming
across the face of her flowered smile,
an entrance into
memory
prior to the death
behind crimson’s curtain
revealing abstract possibilities.


--Felino A. Soriano (b. 1974, California) is a case manager and advocate for developmentally and physically disabled adults. He edits/publishes Counterexample Poetics, www.counterexamplepoetics.com, an online journal of experimental artistry, and Differentia Press, dedicated to publishing e-chapbooks of experimental poetry. As a poet, he has authored ten collections of poetry, including Among the Interrogated (BlazeVOX [books], 2008), Search among the Absent Found (Recycled Karma Press, 2009), Apperceptions of Reinterpretations (Calliope Nerve Media, 2009)and r (please press, 2009). The internal collocation of philosophical studies and love of classic and avant-garde jazz is the explanation for his poetic stimulation. Details are at his website, www.felinosoriano.com.

All-American Boy

All-American Boy


In high school Preston had the world by the balls--quarterback of the team went to the finals. Something about that loss; they said he never got over it. He tried State U, but dropped out after couple of years of putzing around. Then to Nashville trying to make it in the biz, but there are lots of good guitar players and five years later he was back in class.

Preston graduated finally at 29, fluent in Spanish and Business. I met him last Thanksgiving after his mother married my brother. Nice, clean-cut looking guy, but a little jittery, on edge. He said he was going to South America to teach English.

That lasted two weeks. When he reported his passport missing to the U.S. Embassy, he was so high they put him on a plane out of the country the next day. The DEA ransacked his room, found his passport among the empty pill bottles, and mailed it back to his home of record.

He spent 28 days in rehab; then a staph infection sent him to the hospital. They filled him full of antibiotics, hung his arm in the air and drained it for a week. The docs gave him prescriptions for pain and released him to his granddaddy, who locked up the pills. But of course the old man was no match for Preston's determination. He was found next morning in his boxer shorts and socks, dead on the floor.

Preston might have been nothing but a fuckup of his own doing, but of course that is too hard for his mother to accept. She insists on an autopsy and waits impatiently for them to tell her none of it was her fault.

--Barry Basden edits Camroc Press Review.

Calliope Ears: Bells for Her



Tori is Poetry.

Wednesday, September 23, 2009

Gumbo

Gumbo


A city built on gumbo
defying gravity
year after year
saved only by the
forethought of some
prolific engineer.

I wonder if Atlantis
started this way?

Soil never meant
to sustain steel and pavement
bubbles up with each rain
and the next;

Two hundred years
of gooey silt
hides beneath
manmade dreams
that never worked;

If it weren't for the
reservoirs, the bayous
straining their muddy guts
would be lakes by now
and fish would be commuters.

--Carly Bryson lives in Houston Texas and writes poetry and prose dealing with current events, political discourse, human dynamics and sometimes just pure irreverent nonsense. Her blog is at http://www.myspace.com/Carly823. She has a poem appearing in the fall in ETC and this piece is about the sinking infrastructure of the city of New Orleans.

Quoteable

“Ink runs from the corners of my mouth. There is no happiness like mine.
I have been eating poetry!” --Mark Strand

The Bridge

The Bridge


A version of myself, much older, lives across
the bridge. I wanted to ask him where he got that
nice sparkly family, and all those gray curls,
and what he’s toasting with that glass of wine.

So I tethered myself by the waist to a lamppost,
grabbed the railing, and started across the bridge.
But the further I went the foggier he got, until
he had vanished and there was only a wide dark sea.

I remember two schooners, but they were motes
on the horizon now. There was no longer an across,
just a here, where the water lapped the far end of
the bridge and slowly wore the planks to stubble.

--Kevin Dickinson lives in New Jersey, where he's in the tail end of his undergrad career as an English major at Rutgers. He's the editor-in-chief of Writers' Bloc (www.writersblocmag.org) and his work appears or is forthcoming in LITnIMAGE, Bartleby Snopes, Foundling Review, and Gloom Cupboard. Most of his neural network has been transferred indelibly to hundreds of little pieces of paper.

For Sale

For Sale


Men take the lashes
given by the sun
under wild weeds
they hide like animals.

Bombs crash
and bullets spew
the streets.
People scatter
like neon red ants.

The ground crumbles
beneath their feet.
‘Boats for Sale’
read the sign
outside town
and
everyone’s taking
to the shore
catching the breeze
trying to be free
like the fish
they used to kill
everyday
in God’s name.

--Drew DeGennaro attends Augsburg College in Minneapolis, Minnesota, and is studying creative writing. Drew has been published in Haggard and Halloo.com, Writers Bloc Magazine and Word Riot.

The Name Game

The Name Game


Obama, nobama, osama?
Really?
No, mamma.
Obama, nobama,
Tostada, enchilada!
Piranha?
What’s in a name?
Apparently, alotta.
Obama nation an abomination?
Really?
A statement made of frustration?
From the incantation,
and revelation of inflation?
Yet with this connotation,
insinuation, accusation,
a constipation sensation is gripping the nation.
Because of the name game?

Hordes and hordes with picket boards,
Elders, vets and panelist pets,
Insinuating, insulting, demanding,
But never understanding.
The hate, hate, hate,
Hate it! Connotate it, debate it!
The talk show hosts said it, and fed it,
But whose actually read it?
Have you?

Those who complain, inane, insane,
with nothing to lose, but more to gain,
does it all work now?
The current biz?
Is that the shiz?
All as is?
I think not…do you?
Some do, but very few.
Those at the top who plant this hate,
hate, hate,
Hate while you wait,
While elders complain about the state of their estate,
While the youth sit around and shoot up while they mate,
Just look at the state
of the world, ain’t it great?

It might be too late.
Is this our fate?

Is it weed, or speed,
perhaps its greed,
That brought about the deed,
that made our wallets, and our soldiers bleed.
But is it just greed?
Could it also be creed?
Go multiply, but don’t wonder why,
There is never enough,
Or they have it rough,
In other parts, other places,
All bearing the faces,
Of starvation,
While we sit at our station, in our nation
With ventilation,
Deep in contemplation…
When one has excess, another goes without,
But who cares?
The survival of the fittest…
Ironically supported whole-heartedly, by those, who oppose.

And yet more yuppies,
Keep pushing out puppies,
Faster than guppies.
Five to seven teens, with attitude,
Who all need clothes, who all need food.
And phones, and computers,
And ipods and twitter,
Who’ve been sucking the tit,
But still sit there quite bitter.

They want it all,
They want it now,
They don’t care why,
They don’t care how,
Cheese from a goat,
Milk from a cow,
Grabbing it all
As they raise an eyebrow
Seeing the dropping price of the DOW
Congrats, stand up, take a bow,
It’s your fucking fault, you fat fucking sow.

So what do we do?
We could chant, we could frame, we could blame,
But what is our aim?
Will it all stay the same,
…because of a name?

--James P. Wagner has a B.A. from Dowling College in English Creative Writing. He is currently the Long Island Poetry Examiner on Examiner.com. He has long been active on the Long Island Poetry scene and have been the featured reader twice for the PPA (Performance Poets Association) and has had poetry published both online and in print.

Tuesday, September 22, 2009

Painters’ Exhalations 521

Painters’ Exhalations 521


—after Rimi Yang’s Night Before the Wedding
Her silhouette

slim, sacred
near to the reactionary advance
near tick near tempted
to peek
into the substance
of her absolute
stillness.

Also, her lips.

White as the fully dead’s
dissipated
blood.

Prior to her new debut,
tomorrow
will rearrange name and body, and she will peruse
focused possibilities
her reflection will be joyous
in echoes,
holding
onto coming
coming verbalized
elation.

--Felino A. Soriano (b. 1974, California) is a case manager and advocate for developmentally and physically disabled adults. He edits/publishes Counterexample Poetics, www.counterexamplepoetics.com, an online journal of experimental artistry, and Differentia Press, dedicated to publishing e-chapbooks of experimental poetry. As a poet, he has authored ten collections of poetry, including Among the Interrogated (BlazeVOX [books], 2008), Search among the Absent Found (Recycled Karma Press, 2009), Apperceptions of Reinterpretations (Calliope Nerve Media, 2009)and r (please press, 2009). The internal collocation of philosophical studies and love of classic and avant-garde jazz is the explanation for his poetic stimulation. Details are at his website, www.felinosoriano.com.

This is What Happens When You Try to Be Nice

This is What Happens When You Try to Be Nice


“Non-drowsy!? I don’t want that shit!”

Kathleen was rummaging through my medicine cabinet strategically placed over the stove, standing on a chair, throwing bottle after bottle of over the counter drugs over her shoulder in search of the perfect one.

Or several.

Whatever she could find.

I always thought her to be an interesting girl. I mean, I didn’t know her too well, of course, but there was something about her. She was my waitress a few times at the Menlo Diner off of Route 1 in Edison and was actually the reason we would always go back there because I mean, let’s face it, it wasn’t the food. Or the service. I never said she was a good waitress. She talked to us. Even when the diner was full of hungry, annoyed customers. Regulars, travelers, drifters and the like.

It’s funny, you know, I wasn’t really sure what she was doing in my house. I mean, obviously, she was looking for something in the medicine cabinet, but how did she get there? I mean, obviously, I know how she got there because I drove her there from the diner after her shift ended, but I mean, why–

You know what? Never mind. You know what I mean.

And if you don’t, don’t worry. You aren’t the only one.

She found something. An antihistamine that warned her on the package about possible drowsiness. Allergy medicine. I later found it silly that I actually wondered what she might have been allergic to.

Pollen, I assumed.

I wasn’t a doctor. I didn’t particularly know what a “histamine” was, but she didn’t seem to have an overabundance of them by any means.

She quickly made herself at home, pouring herself a glass of water from the tap, complaining that it wasn’t bottled or at least filtered.

I’m sorry. I didn’t realize that a user tuned waitress turned user would be so particular.

She would always tell us: “My third time in rehab was when I really saw what I was doing to myself. I was going nowhere fast…” It was different every time, but always managed to be basically the same, self-pitying story.

She swallows well over the suggested dose of “one or two” and sits at the kitchen table while I try to think of a way to get her to go home.

I didn’t want her there. Hell, I didn’t really even like her that much. I was just trying to be a nice guy.

And that never works.

I guess it was my fault, really. I made the mistake of telling her we were on my street as I was driving her home.

Now I wasn’t even convinced she lived over here.

The longest half hour or so on my life past and by the look in her eye, I figured she was at the point of no return. Functional, but borderline insane.

Which I guess isn’t really different from any other time.

“You don’t live around here, do you?” I asked, half expecting a completely incoherent response.

“No,” she answered, surprisingly, “I don’t.”

“Okay,” I tried to keep my patience, “well, I’m gonna call you a cab to take you home now.” I wasn’t amused, as you can tell.

With slow, dazed speech, she explained to me that she was evicted from her apartment in Edison last night and had no where to go. She told me, with a rapidly diminishing amount of histamines, that she was lucky to know someone like me.

Damn it.

I couldn’t even kick her out now.

Well, I could. But I didn’t. I’m a real sweetheart, ain’t I?

Christ.

I clicked on the radio next to the sink and a stereotypical ‘90s band tells me they kind of enjoyed the movie Breakfast at Tiffany’s.

As Kathleen sings along to the, admittedly, catchy chorus, I say, “you know, that movie was based on a story by Truman Capote.”

“Who?” she asks, between lines.

“Never mind.”

It was going to be a long night.

--Kevin Dunn spends his time pretending to be a writer, taking influence from the Beat writers and Charles Bukowski.

Alone

Alone




Alone without love;
a drone without truth;
a clone with a smile
on loan and in denial
lies without thinking;
cries without blinking.
My drying eyes deny.

We're all alone.
We're all, alone.

Find your soul at home
all alone. I don't know
a precious stone.
Nothing's known, alone.

I've never been; never seen.
All is forgotten alone.
And in sleeping sorrow
I dream.
But nothing is shown.

We're all alone.
We're all, alone,

at sea without stars;
not free, in the dark.
Forever won't be
together with me.
And I am unknown.

My poem too: Alone.
There is no one home.
There is nothing shone.
My skin is blue and I
have no face, no mouth,
nor eyes, when I'm alone.

I'm thrown away,
to moan in a grave;
entombed in a room
alone;
not to be loved
for aimless years;
slowly dying young.

A vacant stone,
is all alone.
My gravestone:
"He was alone."
My bones groan
crumbling alone.
I'm windblown
rolling along.

We're all alone.
We're all, alone.

--James Dye is a college student from Dubuque, Iowa. Read more of his work at www.myspace.com/jamesjdye and visit his blog at http://www.jamesjdye.blogspot.com.

Quoteable

"If my heart was still alive
I know it would surely break..." --Megadeth

Monday, September 21, 2009

Painters’ Exhalations 520

Painters’ Exhalations 520


—after Fernanda Verela’s Samaná - Morning Ablutions

In morning
her eyes open
like sky’s revealing strings of
sedentary pearls. Her eyes
until fully focused
flutter as outside
a blue jay’s pause
peels back layered progress,
aerial ambulation. This
morning she sits bedside. This
day of unknown proclamation
pursues an afterward of daily silence,
motivated subsequent
to meditational being-body-centered.

--Felino A. Soriano (b. 1974, California) is a case manager and advocate for developmentally and physically disabled adults. He edits/publishes Counterexample Poetics, www.counterexamplepoetics.com, an online journal of experimental artistry, and Differentia Press, dedicated to publishing e-chapbooks of experimental poetry. As a poet, he has authored ten collections of poetry, including Among the Interrogated (BlazeVOX [books], 2008), Search among the Absent Found (Recycled Karma Press, 2009), Apperceptions of Reinterpretations (Calliope Nerve Media, 2009)and r (please press, 2009). The internal collocation of philosophical studies and love of classic and avant-garde jazz is the explanation for his poetic stimulation. Details are at his website, www.felinosoriano.com.

Cicadas

Cicadas


dutiful in black loam nymphs wait
strapping on four-inch heels sucking
sap and counting minutes necks noosed
pupils hugged glassy wings at the ready
applying mascara a cocked eyebrow
a slap on the back

at evening instinct draws the army
to the surface confident as an
alarm clock teeming thousands
to the gates shedding golden skins,
sport coats airs to emerge into
the absolution of night singing
snoring summer
winter outside
indoors ambition
none

--Clay Carpenter is a newspaper copy editor in Corpus Christi, Texas. He has two young daughters who provide plenty of inspiration for his poetry. His poems have appeared in literary magazines including New Plains Review, Flutter, Apple Valley Review, Eudaimonia, and Orange Room Review.

How Old Are You Now?

How Old Are You Now?


She blew out the candles, then took them off the cake. "Time!" she said. The party guests doffed their blindfolds; her secret remained safe.

--Robert Laughlin lives in Chico, California. He is the creator of the Micro Award, an annual competition for previously published flash fiction. Two of his short stories are MWA Notable Stories, and his first novel, Vow of Silence, is available from Trytium.

Sunday, September 20, 2009

Richard Wink Dead End Road Preview



Inside the mind of an egomaniac


The woman in my head
does not speak to me
everything she does
is exaggerated by electricity

The woman in my head
refuses to look at me
her fractured crystal face
descends into trickery

What time are you starting?


Blink and I’ll miss
the Golden Gate Bridge
daggers, and scarlet wings
darling trees and blue recycling bins
postcards on the windowsill
pictures in frames
I love Jesus stickers on dirty windscreens
Crimean tinge
sculpted terracotta mornings
dew soaked ropes
startled frigid feathers
pear drop hopes
butterfly patterns
miniature pyramids
broken bottles of real ale
nobody’s business
Jehovah Witnesses
postmen, milkmen, gardeners, builders

everything flashes past
before I can cherish the mundane memories

Lost youth


I venture in newspaper print
dealing in red ink circles.
If only it was easy
acquiring employment in the midst of national recession

the temper of the sun
is lost
in streaks of shadow that crave to cover the lawn.
A goldfinch
is as rare as getting a break

I watch the clock
as the sun disappears behind the valley
my suit sits in the wardrobe
primed and ready

Gravity takes its toll


I sit, listening to jazz in a club called 'Peter Cat'
My soul rests
like an empty bird cage that only attracts
the blackest crows.

The bald man with the trilby and cane on table ‘13’
attempts to sing along
to 'her' silky voice.
Someone behind whispers "Pal, Keep it down"

He gets up, turns around and screams back
"Hey, I like, what I like!"

It may be a well trodden path
but it’s still a lonely road nonetheless.

--Richard Wink is the editor of the fine web-zine Gloom Cupboard. Lynn Alexander reviews Dead End Road here.

Painters’ Exhalations 519

Painters’ Exhalations 519


—after Manfred Schwartz’s Girl with the Plumes

Holding
color, her conscious seize.
Of various tones
talking of
species’ causational shedding
the body slightly cooler
in the shade.
Squawks.
If she wonders
from where such tropical greens
coincide with an absence of sparks
through flying inside night—
where
among others
might she increase awareness
into finding acclimated silence
alive now
within the feathers encompassing
her cradling arms?

--Felino A. Soriano (b. 1974, California) is a case manager and advocate for developmentally and physically disabled adults. He edits/publishes Counterexample Poetics, www.counterexamplepoetics.com, an online journal of experimental artistry, and Differentia Press, dedicated to publishing e-chapbooks of experimental poetry. As a poet, he has authored ten collections of poetry, including Among the Interrogated (BlazeVOX [books], 2008), Search among the Absent Found (Recycled Karma Press, 2009), Apperceptions of Reinterpretations (Calliope Nerve Media, 2009)and r (please press, 2009). The internal collocation of philosophical studies and love of classic and avant-garde jazz is the explanation for his poetic stimulation. Details are at his website, www.felinosoriano.com.

Swatted like Flies

Swatted like Flies


Swallowed
smoke
yesterday
and choked.

Ran
slipped
got up.

Attempted
to save my car
as hot air
painted
sky scrappers
dark black.

People
jumped
head first
into the ocean

not knowing
how to swim.

Like tiny flies
being swatted
every time
they hit the water.

--Drew DeGennaro attends Augsburg College in Minneapolis, Minnesota, and is studying creative writing. Drew has been published in Haggard and Halloo.com, Writers Bloc Magazine and Word Riot.

The Eyes Have It

The Eyes Have It


the first black president
he is the eyes
don’t lie

no one says tell
me, I’m from
Missouri

and hearing is
believing is
unheard of

sight beats the
other senses
senseless

spit-shine the hub caps,
they tell you
and even

if cracked underneath
choose the
blonde

the brain writes
songs the body
sings but

the songwriter’s face
isn’t on the
magazine

give me the
delicious
unseen

--Clay Carpenter is a newspaper copy editor in Corpus Christi, Texas. He has two young daughters who provide plenty of inspiration for his poetry. His poems have appeared in literary magazines including New Plains Review, Flutter, Apple Valley Review, Eudaimonia, and Orange Room Review.

Saturday, September 19, 2009

Painters' Exhalations 518

Painters’ Exhalations 518


—after Frederick Montague Charman’s Homeward Bound

Home is
each step
individualized—
paths remake passed remembrances
closer as the door of familiarity
becomes focused.
Away
then seems misplaced
as if absence
reinvents a presence
two-times more appealing
more
dedicated
to achieving hankering
of wanting to abscond
never
again.

--Felino A. Soriano (b. 1974, California) is a case manager and advocate for developmentally and physically disabled adults. He edits/publishes Counterexample Poetics, www.counterexamplepoetics.com, an online journal of experimental artistry, and Differentia Press, dedicated to publishing e-chapbooks of experimental poetry. As a poet, he has authored ten collections of poetry, including Among the Interrogated (BlazeVOX [books], 2008), Search among the Absent Found (Recycled Karma Press, 2009), Apperceptions of Reinterpretations (Calliope Nerve Media, 2009)and r (please press, 2009). The internal collocation of philosophical studies and love of classic and avant-garde jazz is the explanation for his poetic stimulation. Details are at his website, www.felinosoriano.com.

Interview With An Antiquarian Bookseller

Interview With An Antiquarian Bookseller.

Quoteable

Soaring to the sun
Blood upon their wings
Superstitious dust left twisting in the wind
Man still has one belief
One decree that stands alone
The laying down of arms
Is like cancer to their bones.

--Megadeth

Bank

Bank


calculated cool and crime-scene clean
lighting grins collars modulated under
camera’s loving eye numbers dipped
in bleach dispensed with tongs

key turns fan belt squeals radio screams a
suicide bomber’s handiwork shakes the car
doctor says you’ve got the wrong gene
pull into this Green Zone and breathe

--Clay Carpenter is a newspaper copy editor in Corpus Christi, Texas. He has two young daughters who provide plenty of inspiration for his poetry. His poems have appeared in literary magazines including New Plains Review, Flutter, Apple Valley Review, Eudaimonia, and Orange Room Review.

Blades of Heroes Fall the Price of Glory

Blades of Heroes Fall the Price of Glory




Past fading halls; where forgotten galleries cry;
Through cracked walls; where somber memories die;
Below riven floors; fallen heroes lie; forever still;
Past destruction, beyond ruin, before all that's left
Are the towering courageous and heroic suffering bereft
By corroding all we see perpetually for only destiny to see?

"Annihilate all" as a vindictive reverberation, "Annihilate all"
This apocalyptic cadence roars in ascendence til Doomsday
"From cryptic us, force of all destruction, control the sway
Control benevolence; manipulate man; control this way
As an absolute Goliath, destroy all David minds."

I deem we were taken as lusterless pearls;
I deem we were forsaken as harlequins by hellequin's earl;
The promise to be rapture; we were taught naught;
Sought inhumanities captured and bought
Ripped the script of humanities' plot.

All our sway gone; all our honor lost;
All our diabolism our malodorous fame cost;
Accost the cost the accosted accost cost costs
Let loose the flaws of societies' lost cause lost.

All the uncertainty that covers us died;
All the paradox that in us lied;
All the deaths' head the noose tide upon;
Hang about us now, tied forever on.

Eclipsed in the blood of mortality.
Ellipse dud of morality.
Fatality as immorality achieved;
As immortality is unreceived.

Never trust in a tin god's might;
Don't fight the blighted sods fight;
Smite with light; right tyrant sight.
Ablazen rays gaze at plight's height:

Here lays defeat.
Raise from ashes.
History repeats.
One thousand lashes.

--James Dye is a college student from Dubuque, Iowa. Read more of his work at www.myspace.com/jamesjdye and visit his blog at http://www.jamesjdye.blogspot.com.

Friday, September 18, 2009

Painters’ Exhalations 517

Painters’ Exhalations 517


—after Frank Bowling’s Benjaminmess (Hot Hands)
Frag
ment
s
seared into air’s hands
unkind
mis
place
d
entities of focal dilemmas
hold
onto the sounds of vanish,
not well.
Heat
handled in delight manifestations
become
emboldened reenactments
detailing selves
across syntax of echoes
falling
onto shelves
handmade from
the burn of orange’s beauty
lighting sky’s supplemental
mirages.

--Felino A. Soriano (b. 1974, California) is a case manager and advocate for developmentally and physically disabled adults. He edits/publishes Counterexample Poetics, www.counterexamplepoetics.com, an online journal of experimental artistry, and Differentia Press, dedicated to publishing e-chapbooks of experimental poetry. As a poet, he has authored ten collections of poetry, including Among the Interrogated (BlazeVOX [books], 2008), Search among the Absent Found (Recycled Karma Press, 2009), Apperceptions of Reinterpretations (Calliope Nerve Media, 2009)and r (please press, 2009). The internal collocation of philosophical studies and love of classic and avant-garde jazz is the explanation for his poetic stimulation. Details are at his website, www.felinosoriano.com.

In the Park

In the Park


I was walking my dog in the park one day
when something scampered in front of me
and I nearly tripped. As it floated away I saw
it was the words he likes her 4 a friend. ;-)

I thought it odd.

But before I could ponder it more, I
noticed another one snaking around
the edge of a jungle gym: Who’s going
to pay for mother’s care?
It slithered
around a swing set and disappeared.

It was then that I looked around and saw
words floating everywhere, high and low,
over picnic tables, through a basketball hoop
and between spokes of kids’ bikes as they
rode on the sidewalk. what kind of hamburger
helper do u want?
one string said.

I saw an OMG caught in a cottonwood,
until it wriggled loose. Two LOLs were
tangled on a slide, straining to break free.

I WAS SHITFACED
, one chain proclaimed and
scooted off into the distance. I noticed several wuz up????s.
Others were declarative: I’m in line at DMV
and The mayor’s tie has polar bears on it.

Feeling a little uncomfortable, I started walking
toward my car, when my eyes fixed on a chunk
of conversation sliding across the hood. I felt like an
eavesdropper. it’s YOURS. if you didn’t want this
you should have brought a condom. MAN UP.


I think I may have blushed a little.

I knew it was time to go home when one whipped
by me from behind, grazing my ear. I’m your niece,
for Christ’s sake! Your flesh and blood. How could
you do this to me?
It was followed by I’m sorry. I don’t know what came over me. Don’t tell anyone, please.

Sweating, I got in my car with my dog, put my
hands on the wheel and closed my eyes for a second,
and when I opened them I was surprised to
see that all the words had disappeared.

I took a deep breath, turned the ignition, and started home.

--Clay Carpenter is a newspaper copy editor in Corpus Christi, Texas. He has two young daughters who provide plenty of inspiration for his poetry. His poems have appeared in literary magazines including New Plains Review, Flutter, Apple Valley Review, Eudaimonia, and Orange Room Review.

What the Pompous Hide from Halcyon

What the Pompous Hide from Halcyon




Many things aureate like an Aurelian
only to rise and fall like a phoenix butterfly
but do not coruscate like Kingfishers.
To me the Guilds are but the assayers
full of bullion lined with guilt behind gilted walls.
Their garden lilies are red as blood.
And their filigrees are filled with greed.

Many things disappear like a Diaspora
only to be rerooted or killed like Jews
but do not reappear like Jesus Christ.
To them the killed are but the beggars
dull with common ignorance built behind blind shawls.
Their hardened hearts are dead of love.
And they cease to be as they recede.

Many things elapse like the past
only to return like deja vu
but do not collapse like the three towers.
To us the gears are but for the better
bowl of fuhr, rewind, silt behind New World Orders.
Their royal pardons bled the dove.
And where peace is needed we are bleeded.

Many things entrench like Entrena
only to be destroyed like Gomorra
but do not flinch like it was yesterday.
To you the gifts are but the frost
bull of one opined with wilt behind a jilted flower.
Their barren deepens; misled thereof.
And the pieces police a world on lease.

Many things aureate like an Aurelian
only to rise and fall like a phoenix butterfly.
Many things disappear like a Diaspora
only to be rerooted or killed like Jews.
Many things elapse like the past
only to return like deja vu.
Many things entrench like Entrena
only to be destroyed like Gomorra.
But do not coruscate like Kingfishers.
But do not reappear like Jesus Christ.
But do not collapse like the three towers.
But do not flinch like it was yesterday.

To me the Guilds are but the assayers
full of bullion lined with guilt behind gilted walls.
To them the killed are but the beggars
dull with common ignorance built behind blind shawls.
To us the gears are but for the better
bowl of fuhr, rewind, silt behind a New World Order.
To you the gifts are but the frost
bull of one opined with wilt behind a jilted flower.

Their garden lilies are red as blood.
And their filigrees are filled with greed.
Their hardened hearts are dead of love.
And they cease to be as they recede.
Their royal pardons bled the dove.
And where peace is needed we are bleeded.
Their barren deepens; misled thereof.
And the pieces police a world on lease.
It seems that all that will be left is mud.
And everything keeps being repeated.

--James Dye is a college student from Dubuque, Iowa. Read more of his work at www.myspace.com/jamesjdye and visit his blog at http://www.jamesjdye.blogspot.com.

Thursday, September 17, 2009

Machinemade

Machinemade


A constellation of nodes, of which i c i m 1
auto-regulated along a network
unequal distribution.
Empower the node, the ego, the NODEGO [1st supplementary illusion]
effectively d-minish & disempower node from controlling,
rather make it controlled, dependent,
DENODE.

Middlebeings. Socially. Mesociologikal.
input control 1:
centralized v. decentralized.
Machine-Virus attack in seconds, deployed
Machine-Antivirus counterattack in minutes, deployed.
& the corporeal virus
Swine flu ferried on tourist host
Control system quarantine management.

MASQUEGO, just a virtual masque
NODEGO patronizes phantasm, andro[idea],
titrated market logistics, purchase patterns, therefore
DENODEGO.

Power hub, a projection [2nd supplementary illusion]
wizard behind curtain is not one but multiplicity
multiple wizards multiple curtains

& a network society of control is
all supplements, never code-source, never author.

Humannature - pre-moderate it, scrub it, end. run.
Absconditional /--iBorgs // GENuflex to the heaDLess k/th-ing

Plastick-Stick, Pataclypse::
(in this play by Alfred Jarry resurrected 2.0, every connection is personified according to the new corporate-logo heraldry, all networks feeding into an enormous virtual toilet from where Ego Christ rises triumphant as the new nomad war machine represented by a spike-wheeled carriage and a cell phone bomb. The atomic super-weapon Ego possesses pataphysically inverts itself, acting as a magnetic attractor rather than a deterrent device, and rather than being capable of mass destruction actually performs the smallest and almost imperceptible destruction at the atomic level. Saint Internet, the mechanical pope that presides over all network connections, wages war against Ego Christ using an army of pious androids that perform acts of auto-crucifixion in order to clutter the network space with their bodies, effectively throttling all communication from going to the destined toilet. Ego Christ announces the Brown Kingdom of Miscommunications will be the reward for the righteous and the tribes of cloacal descent.)

Transfer volume to crown, spitfeed. Korona ascendent.
here the circuitry threads through the bones,
allowing for overdue marrow upgrades and other bone-patches.

-

neoterica filtered thumbly through esowork
by divets, nod[ul]es calumn-capitals.
terstwhile scrapping the projection, going with visceral horn'd ego
-iYi-
behind the quality counter = machinemadomination.
>>> this space reservedly for derelicts:
zonewhere
-
my titanium bone sheaths crackle, clatter -
verdigris emerges from the patella,
flings pain down the nerve corridor -
up to the shunt where juncture of nerve sects recognition.
I send a swathe of words down the chain, reversible order,
clattering down-shaft, a poultice of nanotext.
Newspaper today / bird cage lining of tomorrow.
The word concentrates at the kneecap,
swelling now with the pump-action of reflex.

Phenomenomic [s/on].
dolce:
I am striped by this machine, which filters my unfiltered,
a blockade to my expression,
now chalk-circled around a cluster of emotions,
encased in glacial code.
Nuance and lost, and everything else, too.

--Kane X. Faucher
FIMS/MIT Instructor
Doctoral Candidate (ABD), Centre for the Study of Theory and Criticism (CSTC) The University of Western Ontario
Freelance Writer, Scene Magazine.
Co-editor, The Raging Face.
Co-editor, The Drill Press
Co-editor, Sorrowland Press
Interview Editor, Ditch Poetry
- Author of Urdoxa (2004), Codex Obscura (2005,) Fort & Da (2006), Calqueform, Astrozoica, De Incunabliad (2007). Jonkil Dies, The Vicious Circulation of Dr Catastrope (2008).

125 Dollars A Year

125 Dollars A Year


If I can’t make a living at my art,
am I selling my soul
by working at something
I hate
in order to eat, or feed my family,
while I pursue my life and art?
And does it matter if I
make minimum wage,
or become
financially solvent
from my
despised labor?
Who and where is the
judge who judges
such things?
Was my writing better
when I
was going
hungry,
sleeping on park benches
and stranger’s
floors,
stealing
food from super markets, and
walking the streets?
I speak to you, you reading this,
you hearing this, you of the
privileged class! Yes, you elitist
minority!
You who can read ... reading books
and magazines of literature, you who own computers ...
while three-quarters of the people
of the earth
exist on a 125 dollars a year.
We are the privileged, we are
the elitists!
We who can afford to write and
read in the comfort of
some individual corner. Even if you happen to be
on the bum when you read this ... you have
a dumpster, or garment box,
or maybe a tree to lean against.
At least you have that!
You may say that everything
is relative on the earth..
But there is nothing relative about starving
and oppressed human beings
You know or have known poverty?
Well, I don’t think any of us can really claim to know poverty.

Yet, let me know the
sweat and blood
of my labor, whatever
it may be.
Even, if I end up hating the
machine which produces it,
knowing full well it is the
very same machine,
which is responsible
for the destitution and ignorance of
people, who populate
three-quarters of the earth.

--Doug Draime emerged as a presence in the underground literary movement in the late 1960's. Most recent chap, "Knox County" (Kendra Steiner Editions). Forthcoming, "Boulevards of Oblivion" (Tainted Coffee Press), and a full-length collection, "Farrago Soup" from Coatlism Press both in 2009.

Amphisbaena Preview

The following preview is from the second chapter of Ray Succre's Amphisbaena, available at Amazon.com:



The house on Bessinger was neither old nor new, the same being true for Bessinger itself, the circumferent neighborhood, and most of the residents and homes that created the place. In a middle-aged zone of materials, a faux cosmos of track-housing and sequential mailboxes, Bill Sherman spent his days. He wrote out his calendars and snapped images with his camera, allowed himself to be part of a household, and until recently, emailed his publisher each Monday. The publishing company, Holt and Finch, was middle-aged, and Bill’s computer was middle-aged, and it was during a morning months ago, after watching a middle-aged bird being torn into by a rare-to-charge, middle-aged tabby on the lawn, that Bill had begun to question the nature of publishing. Where magnanimous, gray rules and tactics once promised him a means to some future demographic, to publication, he now saw only birds and tabbys. Where he knew camaraderie and networking through the Calendarium, he now saw Mary Christine, its chair and creator shivering in her guts and having dropped on a cheap, collapsible table, dying shocked, painfully, suddenly, out of reason and without dignity. The calendarium, his residence, his occupation, and even his dismal mood... none of these things were old or new.

The house on Bessinger was not his own but where he lived, and though Bill had enough mental draft to acknowledge he had not, nor would he ever, be very pleased with his life inside the house, he lacked the cognitive artistry to actively realize he was also miserable outside of it. Tulips seemed to wilt before his feet as he fetched mail that was frivolous and impertinent. His creative works, which once left his hands with a tart and spicy quality needing so little coercion, now but trickled from him, mimicking the low pressure dribble of water from the kitchen sink. The dreary weather was not only above his town but had snuck within him and now characterized even his appearance.

There was a quiet, near ghostly shriek in his subconscious with each moment of his life spent turning a doorknob, showering, preening, and then straightening a damp towel. Headings with numbers appeared beside his head, transparent and meaningful, alluding to all the worthwhile things he had thought of and even wanted, but a fantasy of numerals that did not describe his actual life. Children: 1. Countries Visited: 8. Languages Spoken: 3. Figures in Annual Income: 6. Total Past Sexual Partners: 0. These were sums of what he would have preferred over what he had.

Bill had a brother with three children and the brother had a home with four rooms. The brother was successful in most areas of life save two: Marriage, which he had failed, this of his particular achievements having been judicially dissolved several years back, and fathering, which he was good at, and a thing he felt in his heart, but a function he was unable to perform as often as he wanted owing to being successful in a busy occupation. The two men and three children, of which only one was female, maintained the household and followed daily regiments of general domestication. Uncle Bill attempted to impart on the children bits of his wisdom and thought, and the children made a stronger attempt to not hear it.

The uncle watched over the three children through the days. Each morning, he left the home’s garage in which he had taken residence with a desk and bed, and entered the tottering, minute-by-minute world of babysitting. He listened to their sudden changes in music. He played with their progressive toys. He ate what they ate and he yawned when they yawned. At times, Bill compared the children’s traits to their father and mother, picking pieces of each child and charting it as being of one family side or the other. Christian’s ears belonged to his father. Nick’s feet belonged to his mother. Jessica’s eyes were somehow much like Bill’s own eyes. He set their toys and habits near his own childhood happenings and articles, comparing to discern which of the two generations had the world best. His conclusion fell to either side and changed by day.

Each flu infection was felt, each swear word heard, each meal given, and each meal taken. Years had passed in this manner. The days were connected to more days, head to tail, an ouroboros. This was indicative of the way the children were connected to minutes, each twisting into another, changing them, not always for the better. These durations, one by one, found them a bit less childish, a touch older, yet nowhere near enough of these minutes in their lives had accrued to begin filling a lively calendar.

“I thought you were doing the car wrecks thing.” Roger said in the kitchen. At the table, seated with the children, Bill sighed. His brother’s insight into his workings was only tertiary, and carried little sway over Bill, but Roger’s mention of the new calendar was upsetting. The new calendar had become problematic and Bill did not prefer to estimate how much time he had thrown away by working on it, or else how much time he had spent wanting to work but being unable. The children at the table were being quiet and somber, and into this scene Bill gave a second sigh, exaggerated loudly and with traces of a moan, to attempt drawing a rise out of them. Only Nick noticed, glancing up at his uncle with annoyance.

“Are you still doing the car wrecks?” Roger asked, having received no answer to his previous statement.
“That’s on the backburner,” Bill answered, “Hey, did you know the first auto crash pre-dates the invention of the automobile by three years?”
“Wouldn’t that be impossible?”
“It’d have to be. But I once ate toast without any bread, so there you have it.”
“Seriously, what happened with the car wreck calendar?”
“I don’t know,” Bill admitted.

The notion that Bill did not know what had happened to the car wreck calendar was exactly what had happened to the car wreck calendar. He had lost his knowledge of the project. For a time, he had managed to work with this new calendar on a sort of creative autopilot, but even that had malfunctioned. Bill had somehow removed himself from his work and was now having trouble finding his way back in. Such was the way of good art projects that needed closeness but did not receive this for a long enough span of time. Bill was troubled most so because he was not confident he wanted back into his creativity. He imagined a bald, officious man in his publisher’s headquarters, peeking at the new calendar over Janet Hogue’s shoulder and laughing his head off at Bill’s work. Car accidents by month... what stupidity.

“Can’t find any more accident pictures?” Roger inquired.

--Ray Succre currently lives on the southern Oregon coast with his wife and baby son. He has been published in Aesthetica, Small Spiral Notebook, and Coconut, as well as in numerous other publications across as many countries. He tries hard. He is the author of the books Amphisbaena and Tatterdemalion

Quoteable

“If you have nothing at all to create, then perhaps you create yourself.” –Carl Jung

Wednesday, September 16, 2009

Illuminating Information

Illuminating Information


They talked about “art” as
if it was some
perfect glistening
thing like a diamond
after the mining
and cleaning


I swept the floor
as they talked
I took out the trash
washed the dirty glasses


“Art” without the blood
and torment
Mickey Mouse
without the mouse
turds.


After they left I
cleaned the ashtrays
scrubbed the toilet
waxed the floor
did what I had to do.


“Art” had nothing
to do with their lives
“art” was a good movie
a concert in the park
created and performed
by people with masters degrees
and winter homes
in Arizona.


I clocked out
bought a couple beers
and went home
tomorrow was another day
of illuminating information


--Doug Draime emerged as a presence in the underground literary movement in the late 1960's. Most recent chap, "Knox County" (Kendra Steiner Editions). Forthcoming, "Boulevards of Oblivion" (Tainted Coffee Press), and a full-length collection, "Farrago Soup" from Coatlism Press both in 2009.

Running for Congress

Running for Congress


with freak face like Richard Nixon
on acid, as the dizzy vipers of culture
sweep wide like a flood
the Conscience of honor,
with the tricky Dicky face turning into
` the wacko mug of Charlie Manson:
the non compos mentis vibe of the
perpetual war machine, and
60’s Huntley & Brinkley
on network news
with nightly death count
their faces gray as fish bones

--Doug Draime emerged as a presence in the underground literary movement in the late 1960's. Most recent chap, "Knox County" (Kendra Steiner Editions). Forthcoming, "Boulevards of Oblivion" (Tainted Coffee Press), and a full-length collection, "Farrago Soup" from Coatlism Press both in 2009.

Death of a digital startup Quartet Press

From The Publish-L Google Group:

On Fri, 2009-09-11 at 16:37 -0400, Jerry Halberstadt wrote:
> Thinking about being a publishing house? A digital publishing house?
> Better have the right team in place, enough financing, and think like
> an entrepreneur instead of transferring all the style of a big
> publisher. There's a story out there, a sad one but a cautionary
> tale.

For what it's worth,

Many people are not cut out for life in a startup company, especially if
they've spent some years within the comfortable bosom of a larger,
stable corporation.

>From my own experiences I can liken the true startup adventure to
traveling with an unknown music group and living life on the road for
days at a time while being broke. The infinite possibilities pollinate
all sorts of romantic notions of freedom and glory but the details of
those stories seem to neglect the gritty side. You never hear about
those anonymous bathrooms where everything is wet and smells like
elephant ass. They don't mention scraping together spare change for
dinner that consists of going into a Stuckey's to buy a bag of Doritos
then topping it off with stale hot dog chili and cheese or a pack of
luncheon meat to make sandwiches using bread/bagels/croissants swiped
from some hotel's continental breakfast the day before yesterday. Life
in the average startup is often as fun and exciting as summer camp and
turns into a tale somewhere between "Titanic" and "Lord of the Flies"
when the ship goes upside down.



> For the story, google Quartet Press. See their web site while it is
> still up.
>
> They were a team heavy on editorial experience and maybe too many
> people for a startup to carry.

Their team came together with Don Linn, Krozser, and the others and, if
I had to guess, they probably managed to do a combination of pooling
their own money, some "Friends and Family" money and possibly funding
from a few Angel Investors based on the strength of their combined
experience and business concept. Dollars to donuts, no one did a
thorough -- and objectively accurate -- analysis of the business plan or
it's financials. Why do I say that? Because even a simple spreadsheet of
realistic cashflow projections would've probably shown that each ebook
title was going to have to be selling unrealistically well to recoup
from their production costs.

At the risk of sounding like an armchair quarterback, the only way
Quartet even had a shot at taking off was to either (1) have raised
anywhere from $4 to $10 million in order to carry them over the next 3
to 5 years and/or (2) hit the ground running with hundreds, if not
thousands, of popular ebook titles ready to go before they even put
their shingle out into the marketplace. Other than that, the Dot-Com
bubble bust of '00 made sure that most venture capital companies would
run from a company like Quartet Press as if Swine Flu had broken out in
their office. The biggest reason: a digital publishing company is
essentially made of computers, some standard network hardware, software,
books, furniture and basic office equipment. It doesn't really have any
valuable assets, at least none that don't depreciate in value about as
fast as than the average PC or Mac. For the VC, in the event such a
business fails, little or no assets means nothing substantial to
liquidate so they can recover some part of what they invested.

Take all that and mix it with the fact that there is still no consumer
standard accepted format for ebooks, if Quartet Press was a tv show,
their rookie mistakes and pie-in-the-sky numbers made sure they were
canceled long before all the pilot episodes had aired in the first
season. Aside from the fact that it's sad to see a startup venture crash
and burn, it is even sadder to see many of the rookie mistakes could
have been avoided had someone on the team knew enough about analyzing
their business model to see most of those blatant pitfalls long before
they invested any real money into moving forward.

Just a half-a-nickel from a Dot-Com Refugee...

--
Regards,

Max Nomad
nomad@bgpublishing.com
Bohemian Griot Publishing, LLC
Virginia Beach's Hidden Harbor for Eclectic Expression,
Graphic Design and Creative Solutions.
http://www.bgpublishing.com

The Common God

The Common God


Common is as common do
Common through and through
I am just a common man
Who has a habit to the pen
I’m just trying to understand
Why must we keep a God at hand
And follow all of his rules
They say that the priest was sent to school me
But I find them of little use
For nature seems the highest order
Which of my time I should bother
She gives me life, she gives me food
She gives me the common rule
Love thou brother as he loves you
And do not pity but school the fool
That thinks that we are not kin.
We are human outward and within.
As a common man I say to you
Absorb your God through and through
Let them work through you
Let no man come between
You and your God and what it means
To live within the holy seed
For nature has the power to move and school you.
If a God I must take
It is the lady of the lake
And rivers and trees and birds and bees
And the air that breathe me.
Now I have had my say so I’ll say this little more
Nature you must come to adore
For you need not pray for her blessing to fall upon you
Without request she answer true
That you live in her and she lives in you.

--David E. Patton has appeared in Mad Blood, The James White Review, Calliope Nerve, Rocky Mountain Arsenal of the Arts, Bay Window, 7, and Guide. His chapbook, Milk Bowl Moon over St. Louis, appeared in 2003 from Persistencia Press. His current book of poetry and art The Trinity is available by contacting the author. Also an accomplished painter and sculptor, Patton currently resides in his hometown of St. Louis.

Tuesday, September 15, 2009

[+!] now in hardcover!/Calliope Needs Reviews and Reviewers



"I looked at the Rorschach blot. I tried to pretend it looked like a spreading tree, shadows pooled beneath it, but it didn't. It looked more like a dead cat I once found, the fat, glistening grubs writhing blindly, squirming over each other, frantically tunneling away from the light. But even that is avoiding the real horror. The horror is this: In the end, it is simply a picture of empty meaningless blackness. We are alone. There is nothing else." --Alan Moore

When will we stop?

Calliope's first experimental collaborative text [+!] is now available in hardcover. The download is still free under Calliope Nerve's Try Before You Buy Mantra.

"[+!] is a post-code-poetry experiment, making de-composition into re-composition... art in it's truest sense... a bizarre, compelling, visually stunning, important work. Lysicology may not be a part of your lexicon now... but it will be." --Lucindo Anthony (Author A Disease of Poetry)
_____________________________________________________________

Calliope Nerve is looking for a few good men, women, or others to review our current and upcoming slate of books. Contact us at CalliopeNerve at gmail.com.