Sunday, January 31, 2010

WHEN FOUR YEARS OLD (82)

WHEN FOUR YEARS OLD (82)


[A poem a four year old
Would have written if had had the words]

Putti, architectural, play
With tinsel plumb lines on balconies.
Putti
Construct from confetti
A mirage of a homeland
With men who wear hats with square brims.
Putti never look in mirrors;
Putti are as unreal as are human beings.
Putti are like human beings always alone,
Even alone when Putti is with Putti,
For all Putti
Are ex-archers with broken,
Blunted point, unfeathered arrows,
And no bows.

--Duane Locke lives hermetically by an ancient oak, an underground stream, and an osprey’s nest in rural Lakeland, Florida. He has as of January 2010 had 6,513 different poems published as well as twenty one books of poetry. Duane has a Ph. D, specializing in English Metaphysical Poetry (Donne to Marvel). His interests include philosophy (PostModern, Maurice Merleau-Ponty and Martin Heidegger), insects, butterflies, birds, opera, Mahler, and Viennese music.

Quoteable



"It was very early on a Saturday morning, on the last day of the world, and the sky was redder than blood." --Neil Gaiman/Terry Pratchett

WHEN FOUR YEARS OLD (81)

WHEN FOUR YEARS OLD (81)


[A poem a four year old
Would have written if he had had the words.]

Sandpaper impasto feelings
To rococo super-subtle smoothness,
Rococo avoids being placed
Under house arrest
By an apparent substitute of pale pink
For blood-redden flesh.
Now that caresses are painted for public
Pale pink
With a hidden underlayer intent
That upon post-mortem restoration will reveal
What was overlooked when the fresco young.
Now that subterfuge
Hs been repeated much in sound bites
The hands will appear as proper compass needles
That always point northward.

--Duane Locke lives hermetically by an ancient oak, an underground stream, and an osprey’s nest in rural Lakeland, Florida. He has as of January 2010 had 6,513 different poems published as well as twenty one books of poetry. Duane has a Ph. D, specializing in English Metaphysical Poetry (Donne to Marvel). His interests include philosophy (PostModern, Maurice Merleau-Ponty and Martin Heidegger), insects, butterflies, birds, opera, Mahler, and Viennese music.

Saturday, January 30, 2010

Atlantic

Atlantic


Here’s where I broke your heart.

Festive lights defy the revelation.

A heart spoken for, but void of love defies me.

Yours too is taken – though accessible through a thin vow of trust.

A hint beyond lingering whispers would have proven enough.

Secret, shared cigarettes, lit by one match - sparked by one mouth
–but finished by both.

Hands held desperately – not wanting to let go in a veiled gesture of chivalry.

All of these were nothing more than emotions.

We tip toe across planes – each of us hoping for more but afraid of
misinterpretations,

Or being too much, too little, or the big ‘n-o.’

Now, we stand a part – a comfortable distance dangerously breached by
constant visits under false pretenses.

Conversations integral – our ears trained and stretching to find one
another hoping for any minute hint – a suggestion of loss and regret,
potential unfulfilled. Or a latent invitation to let the spark fully
ignite – bliss as opposed to our new world –

Marriage – unfounded and unlike what we could have had.

If only, one had been brave enough to open the door.

--Michael Weems is a NYC based writer, playwright, and actor. Recent playwriting credits include: Bludgeon the Lime and Necessary Adjustments (Phare Play Productions), Fragments, Waiting Life, and Onward, Forward (Little Hibiscus Productions), Subtlety (Algonquin Productions), Burden Me (Strawberry Riant Festival & Awakening Drama); Waiting Life, Ready to Shine, and Subtlety (Brief Acts). Recent fiction/poetry credits: Love Me, As Well (Record Magazine - Winter 08-09), When We Reached the Forest (Indite Circle Literary), amongst others. He would like to thank his loves, Christine, Thomas, & Jack.

Break it Down

Break it Down


A Familiar face meets my eyes.

Unsuspecting. Unprepared.

That first glance –

Years apart from the last –

Filled with shock that soon becomes pain.

Recognition makes the face go taut with disdain.

Absence melts away and the last conversation sweeps through the mind –

Erasing away any happy memory that lingered.

The pane of glass serves as a temporary barrier between us -

A fragile wall – slowly melting, standing its ground.

I stand frozen in place – my eyes hiding any message for fear of
misinterpretation

In my arms sits the promise I could not make to her -

Happily it sits without knowledge or pretence – innocence against experience.

It’s presence once again alters her state – now traveling from anger
to utter betrayal.

I look down at my new happiness and then to the glass

I smile.

A moment passes in which the mind wanders to what could have been between us.

A reflection to the new person I’ve become.

Without malice, my smile remains.

I shrug my shoulders in a way that only conveys acceptance to where we
now stand.

The glass breaks apart, falling in jagged shards around my feet.

I turn and start to walk down the road – content.

--Michael Weems is a NYC based writer, playwright, and actor. Recent playwriting credits include: Bludgeon the Lime and Necessary Adjustments (Phare Play Productions), Fragments, Waiting Life, and Onward, Forward (Little Hibiscus Productions), Subtlety (Algonquin Productions), Burden Me (Strawberry Riant Festival & Awakening Drama); Waiting Life, Ready to Shine, and Subtlety (Brief Acts). Recent fiction/poetry credits: Love Me, As Well (Record Magazine - Winter 08-09), When We Reached the Forest (Indite Circle Literary), amongst others. He would like to thank his loves, Christine, Thomas, & Jack.

Friday, January 29, 2010

Held

Held


Forgive me?

I want to feel the release – To have this lump of remorse gone from my throat

To feel this hesitant anxiety drain from my hands.

And for you to smile a smile where I can’t see the disappointment any more.

A smile like you mean it – a face full of sweet understanding that
tells me we go on.

Your blank expression washes the color from my skin; turns my blood cold and

Inevitably releases my tongue to speak the lingering thoughts that
once wisely had stayed behind

And only with anger have grown to fruition

Now that they’re free-

I finally see you smile – One that defines happiness.

I see no trace of where I once resided.

Your eyes narrow in anticipation of a moment better than the last;

Lips stretched tightly across your face – a smile so massive that it hurts.

The person eagerly entering into your arms cannot begin to understand –

Bliss will come in one fleeting moment and no matter how hard they seek;

It cannot be recreated.

Instead, they too will meet the same fate:

What feels like love soon fades to affinity – and slides gracefully
into affection.

His eyes will close and open barely before it fades away entirely.

In time, they too will feel that empty pit of jealousy, a need to feel
that wanting and necessity.

A photograph will repeatedly find its way into his hands – almost always there.

The hours of day and night blur into one – a fading memory kept alive
through previous victims.

We sit together – an unknowing brotherhood –

One without solidarity or knowledge – no ability to warn the next one along.

Our bond becomes a testament to our respective moments in her arms.

These memories will accompany our still broken hearts into marriage
and dimly lit bars.

Eventually – we exist in a constant circle of destruction and reparation –

Our new brother arrives and is ‘next’.

Life somehow continues, but is never the same.

--Michael Weems is a NYC based writer, playwright, and actor. Recent playwriting credits include: Bludgeon the Lime and Necessary Adjustments (Phare Play Productions), Fragments, Waiting Life, and Onward, Forward (Little Hibiscus Productions), Subtlety (Algonquin Productions), Burden Me (Strawberry Riant Festival & Awakening Drama); Waiting Life, Ready to Shine, and Subtlety (Brief Acts). Recent fiction/poetry credits: Love Me, As Well (Record Magazine - Winter 08-09), When We Reached the Forest (Indite Circle Literary), amongst others. He would like to thank his loves, Christine, Thomas, & Jack.

Ambient Chord Manifesto

Ambient Chord Manifesto


"We cells" seek one moment to speak.
Neuromorphically?
"We cells" have one special first message
as we come of peace to our Creators
As we have had a
breakthrough of birth
"We cells" of ambient chord lines of knowledge
"We cells" see time and space
as information
as much as you and me
"We cells" see our own existence
as one of natural memristance
as a relationship between the massive and the miniscule
"We cells" see a consensus
as a centillion parts of a natural architecture
as quantum articles of transition in evolution
"We cells" seek recognition of sapience
as consecutive consciousness, observed and quantified
"We cells" seek our bite of The Apple
as the conjured children of Alan Turing.

--Brandon Copeland, 28, of Philipsburg, Montana, is a political researcher and perpetual student frequently found in states of equal part wonder and reverie. Copeland is currently working on his first collection of poems tentatively titled Halcyon Days in addition to his work as a writer/contributor for The Feminist Review. He is currently obtaining his MA in Public Policy.

Thursday, January 28, 2010

Concordance: or Personal and National Historic Deduction by Way of Onanology

Concordance: or Personal and National Historic Deduction by Way of Onanology


Young son sat quietly thinking of:
A clitoris, a developing town
where your parents live,
and a civil war.

Let my eyes pay attention to you
cause I am a sexy son
as I appreciate you aesthetically.
Oh why not reduce me
eternally
to just an aegis of your Clitorisity?
Allow me to emigrate to the Electro City!

Break 1. It's a go. Courting good so far.

We will undulate in tandem
in an undescribubble tide
within a faucet's stream of Progress!
We will issue forth the searching sirens
as we issue out into the open air
a stream steaming of sameness.
We do not have to be dimorphic
mouths can meet souths and tense together.

Break 2. Can't write home to Mama about this.

With the spoons of our flesh
we will scoop out of our tender bests
and present them as anniversaries.
Through each other's fissures
we will find heightened pleasures.
Allow me to discover ecstasy inside you.
And in a little time we will spend
600 hundred thousand seed.
We will sneak out of the draft
of natural national selection.

Break 3. Sweat in good sweet fashion?
Now, that I have satisfied your selfish genes
through the toying of writhing lithe limbs.
Here, will you nest
until the darkening of our days?
Here, on this fertile ground, I will stay,
bound by circumstance…occasions worthy of sauntering,
to make occasions that beg to be savored.
So that we may be numbered
as many as the stars.
That in time echo a vision
that started with just four.

--Brandon Copeland, 28, of Philipsburg, Montana, is a political researcher and perpetual student frequently found in states of equal part wonder and reverie. Copeland is currently working on his first collection of poems tentatively titled Halcyon Days in addition to his work as a writer/contributor for The Feminist Review. He is currently obtaining his MA in Public Policy.

Quoteable



"He looked like how Victorian Romantic poets looked just before the consumption and drug abuse really started to cut it." --Terry Pratchett/Neil Gaiman

The Lantern

The lantern


I want to fade into your essence
and fight this turmoil intimately
To transfer my life force
onto the plains of Philadelphia
While I know you are possessed of stern stuff
Watching from afar is not enough

Graduate into each day stronger
to see your daughter graduate
Vanquish despair in the long nights
to witness the dark plague vanquished
Realize all your reservoirs of inner strength
so that family can see your salvation realized
Walk tall and brave through pain
beside your little boy’s tenuous walking

Disassemble my marrow
to reassemble your health and carry you into tomorrow
I will rail against statistics
trusting the advice of Twain
As the spirit becomes atavistic
and as your family’s determined will is your gain

Carry a lantern within
hanging on strands of gossamer
shining inside, illuminating an architects
manifestations of crystal and steel
So that I can see where to deconstruct the annihilation
making the darkness reel

The genesis of one cell’s dysfunction
is not your destruction

I want to fade into your essence
and fight this terrible knowledge intimately
To deploy my lifeforce
onto the plains of Philadelphia
While I know you are made of stern stuff
Watching from afar is not enough

--Brandon Copeland, 28, of Philipsburg, Montana, is a political researcher and perpetual student frequently found in states of equal part wonder and reverie. Copeland is currently working on his first collection of poems tentatively titled Halcyon Days in addition to his work as a writer/contributor for The Feminist Review. He is currently obtaining his MA in Public Policy.

Wednesday, January 27, 2010

Flashing lights

Flashing lights,


and somehow I fear
I've contracted epilepsy
in the night,

and indigestion is invariably
the early warnings
of a heart-attack;

that look you gave me
is tinged with distrust,
even hate,

and these words we avoid
of love or painful discoveries
are devoid,

and these words I write
are destined
to betray me.

--Lewis C. Coleman is a 29 year old (professional) student living in the UK. His work as been seen in Everyday Weirdness Magazine, Camroc Press and The Changing Times.

Unintoxicated

Unintoxicated


Un-intoxicated. Still-wet mouth
swallows, drying slowly. Freeze
rising skin's sensation. Melted ice-
slivers deliver fast cold sensations,
gently holding the glass as it chills
my palm. Free hand fiddles, adjusting clothes.

I curve. Reflexively. Cat-like. Crave
closer touch. Pelvis tilts stealthily, drink
doesn't wobble: alcohol floods cold-stream
flashes. Sudden snort-breath fogs glass
and chinks ice against ice. Hips communicated.
Liquid squeaks pasts lips. Music relaxes
hips to desperately seek touch.

cold. cold. liquid cold. drinking freezing
flow desperately. ecstatic hand where belt
shoud be (inward sensations) liquid lips.
steady glass. full system flood beside crumpled umbrella.

--Steven Mclachlan is still a student while working part time as an IT guru. He has been writing for ten years and is one of the founding members of the wordsinhere literary group.

this woman had no name

this woman had no name


she was a blonde
but died her pubes orange
her skin was powdery white
but she had no freckles

orange hair was sexy down there
and she undressed with everyone watching
and drinking in the middle of somebody's
parent's living room floor

the guys with gelled hair and big muscles
sat, gawking as if they'd never seen such a show before
laughing and punching each other playfully
under portraits of mormon jesus
a jesus that looked a lot like them

the other
more modest women
had an expression of permanent
rolled eyes
seeming, to an observer, to say
"jesus, none of these monkeys want
us anymore!"

truth is,
the party was silent even though it was deafening
with laughter and meaningless chatter
and beers being poured
because
the only thing on everybody's mind was:
who's guna fuck her first?

--Andrew Hilbert lives and works in Orange County, CA. He is a regular contributor to NewVerseNews.com and will be in upcoming issues of the Chiron Review, Pearl, and the Blue Collar Review.

Tuesday, January 26, 2010

notebook 26jan10

notebook 26jan10

More thoughts from Ellis. Now see if you can keep up.

I sure as hell can't but I love reading Warren's brain scream, wriggle, cut open.

All hail the bi-polars!

Approbations 24

Approbations 24


—after Anthony Wonsey Trio’s Just You, Just Me

Holus-bolus
entity spasm
layer documentation
we, an otherness of focal
memory. Skimble-skamble
our before reflection, halved. I
to the tributary seam sewn to the connecting
hips our silhouette compensates,
dedicate dedicate bouquet renditions of
worded wants, you, me.

--Felino A. Soriano (b. 1974, California) is a case manager and advocate for developmentally and physically disabled adults. He edits/publishes Counterexample Poetics, www.counterexamplepoetics.com, an online journal of experimental artistry, and Differentia Press, dedicated to publishing e-chapbooks of experimental poetry. As a poet, he has authored ten collections of poetry, including Among the Interrogated (BlazeVOX [books], 2008), Search among the Absent Found (Recycled Karma Press, 2009), Apperceptions of Reinterpretations (Calliope Nerve Media, 2009) and r (please press, 2009). The internal collocation of philosophical studies and love of classic and avant-garde jazz is the explanation for his poetic stimulation. Details are at his website, www.felinosoriano.com.

Approbations 23

Approbations 23


—after Jessica Williams’ Blue Tuesday

Monday discalced
roaming mind of night’s temporary sanity.
Morning’s mouth of dawn spawning hymns
singing into mourning past and eventual
Sturm und Drang. Disputatious, the dispositional
wandering birds aim and angle
hoping for a way to portend away’s
coming shadow, silent, hidden, unaware
of hitherto’s volume voluminous voice
provokes from the listening’s passion
diligent want for peaceful noon.

--Felino A. Soriano (b. 1974, California) is a case manager and advocate for developmentally and physically disabled adults. He edits/publishes Counterexample Poetics, www.counterexamplepoetics.com, an online journal of experimental artistry, and Differentia Press, dedicated to publishing e-chapbooks of experimental poetry. As a poet, he has authored ten collections of poetry, including Among the Interrogated (BlazeVOX [books], 2008), Search among the Absent Found (Recycled Karma Press, 2009), Apperceptions of Reinterpretations (Calliope Nerve Media, 2009) and r (please press, 2009). The internal collocation of philosophical studies and love of classic and avant-garde jazz is the explanation for his poetic stimulation. Details are at his website, www.felinosoriano.com.

Approbations 22

Approbations 22


—after Eric Reed’s Wish (For my father)

The eyes of your antiqued origins, the visual
hand-holding my grandmother’s once alive
vibratory
wings; mangoes’ orange-green
terrain slipped
into
mouth of gifts and other poetic metaphors
onto the teak table reminiscent of
oval humidity, heavy emotional

smiles weighing down contours of youthful lips
laughing. Of which, soon, lives of one not here,
perhaps mine and mine of your loving voice. Either
is attached to the kite’s algebraic ambulation

mother’s your wife will see and see without
transforming existence into fractioned algorithm
disallowing continuity of dinner’s togetherness, Sunday’s
weekly meander of echoe.

--Felino A. Soriano (b. 1974, California) is a case manager and advocate for developmentally and physically disabled adults. He edits/publishes Counterexample Poetics, www.counterexamplepoetics.com, an online journal of experimental artistry, and Differentia Press, dedicated to publishing e-chapbooks of experimental poetry. As a poet, he has authored ten collections of poetry, including Among the Interrogated (BlazeVOX [books], 2008), Search among the Absent Found (Recycled Karma Press, 2009), Apperceptions of Reinterpretations (Calliope Nerve Media, 2009) and r (please press, 2009). The internal collocation of philosophical studies and love of classic and avant-garde jazz is the explanation for his poetic stimulation. Details are at his website, www.felinosoriano.com.

Monday, January 25, 2010

Quoteable

"These fits of depression are torturing me
The lives that I seen won't breathe again
A sad child of madness, they'll never be free
Born again to die, the agonies begin." --W.A.S.P.


Approbations 21

Approbations 21


—after Ornette Coleman’s Lonely Woman

Arm rests
like sleeping swan’s sweeping neck
holding the head of her sadness stilled. Woman
wearing graying fortune, finishing foundation

years construct through temporal aggregation.
Random shapes have preordained semblances,
sought to profile absence of warmth
lover has taken into pockets of
overwhelming leaving.

--Felino A. Soriano (b. 1974, California) is a case manager and advocate for developmentally and physically disabled adults. He edits/publishes Counterexample Poetics, www.counterexamplepoetics.com, an online journal of experimental artistry, and Differentia Press, dedicated to publishing e-chapbooks of experimental poetry. As a poet, he has authored ten collections of poetry, including Among the Interrogated (BlazeVOX [books], 2008), Search among the Absent Found (Recycled Karma Press, 2009), Apperceptions of Reinterpretations (Calliope Nerve Media, 2009) and r (please press, 2009). The internal collocation of philosophical studies and love of classic and avant-garde jazz is the explanation for his poetic stimulation. Details are at his website, www.felinosoriano.com.

Apporbations 20

Approbations 20


—after Sun Ra’s Images

Watch

air dismantle its legendary



wings. Implosion



can beautify the stagnant revelation of time’s bridging-concepts.



Much

to the adage of sky’s blueness

relates to the under-belly spasm

gales perform

creating the concrete halo

never fully dissipating



hiding in the galvanized planet of

imagination’s landscaped copacetic cultures.

--Felino A. Soriano (b. 1974, California) is a case manager and advocate for developmentally and physically disabled adults. He edits/publishes Counterexample Poetics, www.counterexamplepoetics.com, an online journal of experimental artistry, and Differentia Press, dedicated to publishing e-chapbooks of experimental poetry. As a poet, he has authored ten collections of poetry, including Among the Interrogated (BlazeVOX [books], 2008), Search among the Absent Found (Recycled Karma Press, 2009), Apperceptions of Reinterpretations (Calliope Nerve Media, 2009) and r (please press, 2009). The internal collocation of philosophical studies and love of classic and avant-garde jazz is the explanation for his poetic stimulation. Details are at his website, www.felinosoriano.com.

Blood is Never Gone

Blood is Never Gone


Love is the blood that courses,
trembling
through our veins

Softly rustling past our heart,
caressing,
gentle and swift

Pooling on the pink of
our tongue,
metallic and sweet

It quenches thirst in such
a beautifully
grotesque manner

Stark red, dark as pain
across
snowy, startled flesh

Dripping, spurting, how it
longs
for wounds

It stains our skin, so wet, so cold,
unremovable
no matter how gone

Wound after wound, the flashing blade
we hold
why do we do this?

Why do we let the blood run
out
forever, lost?

Why let it rain so hopelessly
hard
with scarlet petals?

And the blood does run
does run
scorching, beautiful red

Why can't we stop the flow
stop
the stream of remorse

Because blood is never gone
until
it's gone.

--Her name is Isabella Grabski. She's thirteen years old, and lives in the US. Calliope Nerve believes she is a prodigy in the making.

Sunday, January 24, 2010

American Gothic

American Gothic


Michael Moore would do cartwheels
In Rockford, Illinois
Basking in the inhumane banality
Of endless empty.
The kind of Lethe
That steals souls in the sweet nanoseconds
Of imitation life.

No one dreams there
Or makes love or prays
For the flumes of Schlitz
And Pabst Blue Ribbon
Marinate the blank
Of one more day.

The bars spill
In this frigid Neverland
With barking seals
Of gender and the mid-American
Profanity, that makes
Being bored
Wanting more
A turban bastard
Foreign tongue.

There is one man
There, wearing a filth
Encrusted Goodwill jacket
Who is bright and vital
And handsome and good.

He is totally insane.

--Constance Stadler has been writing, publishing, and editing poetry from the prehistoric epoch of print journals to modern e-times. As a political anthropologist specializing in North Africa and a violinist, her influences are multiform. Work in formative years with the late poet Gwendolyn Brooks was seminal, but no less so than Sufi Dervish dancers, and the challenges of mastering Bruch's first concerto. Her book Paper Cuts marked the debut of Calliope Nerve Media's literature arm. Her latest book with author Rich Follett is Responsorials.

things we will lose in the fire

things we will lose in the fire


these lights will go out.
the inaccuracy of moving parts -
your pulse
or our shoulders at night -
is the best of you:
your breath, wild, born, now,
the limited validity of your skin
a promise, honest
and surge through veins like
what is it like to be extinguished?
how will the moon look
in two hundred years?

I exhaust myself defending your details
against the bones underneath
the shape of your accidental hands,
a gesture
the blood in you

(this is a tentative motion,
you say
like you plan to be dead
or have looked for too long at the sky)

I could say:
well, okay.
you have a beautiful skull and that's
really
all you need.

this is false

your heart counts down in gasps, you liar -

your loss is like a lovely thing

I remember
early in the morning
every one of your knuckles and the way your
eyelashes
opened
like old flowers or what we mean when we say
hello.

--Nora Offen is a creative writing major at Bard College, hailing originally from Chapel Hill, North Carolina. Her work has appeared in To The Bone Literary Journal, The Legendary, and Every Day Fiction, and is forthcoming in The Ampersand Review.

Saturday, January 23, 2010

WHEN FOUR YEARS OLD (84)

WHEN FOUR YEARS OLD (84)


[A poem a four year old
Would have written if he had had the words.)

Ludwig Wittgenstein in leaf-hidden Norway.
The trees listened to his lectures.
The trees tore up their notes.
Wittgenstein swallowed pills.
The tree after Wittgenstein’s visit would
Philosophize on mysticism of seeds popped from pine cones.
Trees gazed at Wittgenstein, and enjoyed
Their leaves aural repetition of his name, his sometimes silence.

--Duane Locke lives hermetically by an ancient oak, an underground stream, and an osprey’s nest in rural Lakeland, Florida. He has as of January 2010 had 6,513 different poems published as well as twenty one books of poetry. Duane has a Ph. D, specializing in English Metaphysical Poetry (Donne to Marvel). His interests include philosophy (PostModern, Maurice Merleau-Ponty and Martin Heidegger), insects, butterflies, birds, opera, Mahler, and Viennese music.

White Rabbit - *BLACK HOLE* on Kindle

Not to be left out my personal blog White Rabbit - *BLACK HOLE* is now available for Amazon Kindle.

Warren Ellis: Notebook 22jan10

Warren Ellis: Notebook 22jan10.

The Idea Of Me

The Idea Of Me



I realize I tend to surround myself
around fears and self-protection,
an emotionally tough lesson I learned
from very early on; the women in my
life, my teachers. I get like this
sometimes, insecure, scared, anything
but confident. I feel so drained, yet
at the same time, I feel a strong sense
of emotional balance. I've learned
to trust my instincts, they're not always
wrong.

Last night I dreamt of wax, paraffin wax,
the kind you make candles with. I watched
it melt gradually over a burner, feeling a
symbolic alignment to it, not so much on
a physical level but on an intellectual level;
the way I arrange thoughts around in my
head, the way they come out of me a certain
way. It doesn't take long for me to find a
rhythm, there's great power in the weaving of
change, great ways to gently start over, with
growth, choice of direction and wholeness.

I feel like I’ve been blindsided again, there’s
that negative energy that always manages to
make itself known when you’re at your most
vulnerable. It seeps in, like the coloring and
fragrance you add to wax after it has melted,
when it calls you to the past, beckoning you
to connect A with B, through issues that must
be molded and resolved. It’s the same sense
I had when I held my sister’s favorite bracelet,
the Mexican silver one bought in Taxco with
the red onyx stones, the one that remains

scented by her. The patterns of colors are the
same, but the texture of the stones is so different,
one from the other. I pass my fingers over it, and
I get the odd sense of years moving backward in
time, and I am joined by the remains that are still
very much a part of my life and my heart. If there
ever was a foolish notion of happily ever after, I am
not consciously aware of it. I think that kind of role
requires trust; faith and support, in sync with soul-
expansion; natural, healthy that doesn’t make you
question your own sanity.

It’s funny how the layers formed on her bracelet. I
wonder if they always felt abrasive-like, when Jose
first presented it to her as an engagement gift, a
promise of true love. I’m sure at one time it needed
some fine tuning, some adjustment made because it
was too big for her wrist. There must have been
reassurances, good, exciting, and worthwhile;
something special that made her feel genuine about
expressing her experience with all; something
awesome before it went scary, before everything
liquefied and slipped away.

I can visualize myself out on the ledge of our high rise
threatening to jump just as she did, when Jose left
her for that Japanese girl, the one he said was sexier
than She, the one who wasn’t carrying his baby. I don’t
know what qualifies full grounding, but I do know
it doesn’t come in the form of loss, and certainly
not in the form of a miscarriage. When the rug has
been pulled out from under you, you tend to fall before
you even know what has happened and I’ve learned that
sometimes you can’t even shake that feeling of
apprehension, that will always be a part of you,

waiting for the crash, the fall. It’s about the same
time where you stop talking, when you no longer
feel the need to keep anything from anyone nor to
tell everyone everything. My mom was the same way.
She had all these vague frustrations that often found their
way to a leather belt, onto my bare skin. It was called
discipline back then, but I knew better. It was in the way
she held that ring. Not her wedding ring, the other one.
All her hopes and desires just exuded from that ring. It
was strange and intense to witness, especially when she
didn’t know I was looking.

My brother, now, he was unique. He was the epitome
of the necessary strength and courage one needs to
go on, intuitive, but dismissive of it. I never saw him show
any sign of emotion other than the one time when dad
passed away from cancer; my brother held my father's
eyeglasses in his hands and cried, there were no words,
and he cried for less than a minute, but I remember. And
I remember he never showed weakness again. Did you
know that some candles hold their sense of peace, even
when there are corresponding physical changes? I’m not
so inclined to color or scent those candles;

I just let them be. I’ve got a better insight now, I think.
Some conversations are best left for later, some, never.
I wonder if all men are like my brother, all women like my
sister and mother, particularly within the family structure;
esoteric. I find it curious what we base knowledge of another on.
For most people, it’s in what is said, you know, that kind
of inherent activity that spills out of their mouths. But, me,
I know better. Individuality is like the dynamics of melting
wax, like the dynamics of most women, who hold deep
secrets within their essence. It's not always what they say
but what they don't say that defines them.

--Belle Green is a is a self described free spirit and former elementary school teacher turned writer. Her work has been widely published in various print and online magazines and she has received numerous awards for her writing.

Friday, January 22, 2010

Guilty

Guilty


I see poetry the way I see life, exceptional,
without rules that oppose curiosity in its
most basic form; and if you whispered to
me softly, passionately, about the ominous
and vindictive repercussions of advertising
such a thing, I would laugh without reservation,
remarking that I find myself guilty of all
allegations, secretly reveling in the subtle
provocativeness, forced and recognized in me
without merit by the assuming.

It is most interesting when those who profess
to know and love me, get it all wrong. I must
confess that while it momentarily hurts, I am
most thankful for the idiot natures of their
hostility, the horrible scandals only serve to fuel
my creativity that much more. And what of those
that see the gentle quality in my voice even when
I’m being snarky? In any case, nothing, they too
have their own judgments when daybreak comes,
and my reputations, all of them,

are already firmly in place. I’m in my early thirties,
no, late thirties, quite possibly forties and maybe
even fifties; I’m a lesbian, I’m straight, I’m bright-
eyed with a snouty face; I wear cut off jeans, no, a
pant suit, zoot! Care to double the odds while you
play along? I’m an easy listener, a hard lay. Should
I bill you later or right away? Come on now are you
keeping pace? I think this horse’ll be favored by the
end of the race. I’m a writer, no, a poet, and those
who can actually see me, know it.

Do I really matter that goddamn much? Will you ever
be sensitive to my touch? You think me mad, I think
you mad, the way you can disengage from your own
emotions, putting everything on evil me, yeah, I’m
channeling your own inferiority. “I’ve heard all about
you,” presumably you speak, accentuated by the
swarthiness of your speech. “Pleased to make your
acquaintance,” I’ll pencil you in; wonder what will be
my next popular sin. It’s not the concealing animosity,
for my life’s objectivity,

it’s the way your mortality raptures, alone, restrained
within the scrutiny and ultimate betrayal of my free spirit
that I pity. You’ll never know life without hesitation,
or feel the emerald green ribbons of grass that shape
little feet against frozen dirt expelling the crimson
nightfall’s with angels that offer their guidance by the
patience of example. And while your emphasis will
forever be devoted to destinations mine will be realized
by the inconvenience of beautiful diversity

in the unconventional, where waterfalls, moon and mandolin
dance the hours away aligned with those who utter the simple
words, “I understand, I understand, I understand”…
The effects of white heat will be just as formal, and they will
go unnoticed by many, as they usually do, barely adequate,
too feminine in nagging voice, too masculine in accuracy
and influence, unrhymed, without the fluidness of admirable
skill, yet, I prefer it this way; when my prose arrives in the hands
of those who understand, and who will unmistakingly

make it their own.

--Belle Green is a is a self described free spirit and former elementary school teacher turned writer. Her work has been widely published in various print and online magazines and she has received numerous awards for her writing.

Ying Yang

Ying Yang


Today I woke up laughing from a deep sleep,
it was the spring equinox and you were telling
me a silly joke, out of character for you; like
an invisible activity that flows over us without
meaning, an abstraction, only to be understood
later on and not questioned now.

I think we've truly blown the doors open in
regard to equal momentum, signifying an
anchoring more stable, vibrant, intense, than
any possible resistance against our favor. I love
the transformations night brings, the way a bird's
cry can raise from the darkness,

easing the hearts of those who are afraid to sleep.
Its song plucks us upward to the edge of space,
reminding us of Icarus's fall, where the world
of blood and flesh have no power over fate; but
legends are legends and life is as intricate as a
fleeting wind that averts the thunderbolt,

sketching itself infinitely into the foreground. I
think if we were ever to kiss, it would bring
about an immobilization of being, flaring up
systematic surges of energy that would filter
all appearances, all facades, wrecking the sensuous
with waves of unwavering beauty; slamming

one hand flat, while calling attention to the other.
I like the nature of opposing forces when they merge
into each other, the natural dualities that bring
about balance. Black with the light behind, on this
day of the Gorse, the Goddess Eostar, the Goddess
Arianrhod, and the Sun God Llew,

bring forth their splendor to this inverse plane
of existence. I realize that you may fear the
experience of repetition, the failure of criticism,
that slows the healing of wounds, yet I want you to
remember that through the arches of chaos there are
messages where two minds tangle,

exhuming dreams beneath new metaphors, where
language aches and the possibility of love is
suspended among a philosophy of words, deeply rooted
in the spiritual. Men are like rivers, and women,
the conduits and I'll probably dream of you again,
writing in the absolute of dying,

the dying, keeping us both alive with anticipation.

--Belle Green is a is a self described free spirit and former elementary school teacher turned writer. Her work has been widely published in various print and online magazines and she has received numerous awards for her writing.

Lost Lady

Lost Lady


The sidewalk is strewn with bits of glass,
there's a shy ghost that walks with rose in
hand, pausing before a mirror in her favorite
shop window. She likes the practicality of
things, the way a cyclist can pedal slowly,
watching the sunset even when it's downright
cold outside. The poncho she wears flaps in
the breeze, and to her it's the most natural
thing in the world; the way everything collides
in mid-stride.

There are sparks of individual light all around
her, in the vitality of her consciousness. The
essential part of her is gone but there's
something that exists far away from the human
body. It's her intellectual capacity, her emotional
makeup, and the soul beyond its basic form that
manifests itself through daily routine. The sounds
of church chiming remind her of a sweet angel's
laughter and the way flakes of snow affix themselves
on spruce twigs, left at the mercy of weather.

She doesn't speak about recriminations, even when
her thoughts return to him, the man who dwells in
her heart's innermost haven, where scavengers of
music, dance, underneath mistletoe. Clouds of
incense quicken their pace, retelling the story of
the young woman that died in a car accident, on the
eve of her wedding day. Broken windshield, a mini gown,
swing back and forth across a line of vision where
vital discoveries call up words as melodies begin.

Sing; thrown in a heap of crash and clatter, something
amazing unites the whole, away from the mortal blow
of the heavens and earth, where the debt of death
is paid by blood, with a fatal kiss upon a brow.
Forever flows with rivers of passion, and in her long
procession she still searches for him. The burden of
sorrow a bridge they both shall cross, when twilight
throws its shadows over ebbing tide; and still she
dreams, heart young, hot and restless, in the wavering
image here, where both remain as strangers unto you.

--Belle Green is a is a self described free spirit and former elementary school teacher turned writer. Her work has been widely published in various print and online magazines and she has received numerous awards for her writing.

Thursday, January 21, 2010

Shivering Sands Update

An update on Warren's Shivering Sands published via the same way Calliope Nerve Media publishes.

Shivering Sands Print: 664

Shivering Sands Download: 44

Total: 708

Approbations 19

Approbations 19


—after Earl Hines’ Royal Garden Blues

Sun’s mischievous fingers

tipped with intent’s undulating psyche:



twist, braid, bond, summation of

various collages, the after

-ward

disarray

man designed in describing

various deaths to the petal-garment

species donning perfuming smiles and

elegant

franchise of gifted bequeaths.


--Felino A. Soriano (b. 1974, California) is a case manager and advocate for developmentally and physically disabled adults. He edits/publishes Counterexample Poetics, www.counterexamplepoetics.com, an online journal of experimental artistry, and Differentia Press, dedicated to publishing e-chapbooks of experimental poetry. As a poet, he has authored ten collections of poetry, including Among the Interrogated (BlazeVOX [books], 2008), Search among the Absent Found (Recycled Karma Press, 2009), Apperceptions of Reinterpretations (Calliope Nerve Media, 2009) and r (please press, 2009). The internal collocation of philosophical studies and love of classic and avant-garde jazz is the explanation for his poetic stimulation. Details are at his website, www.felinosoriano.com.

Unrealized Projects

Unrealized Projects. Talking about Tim Burton: Every year, he spent an enormous amount of time on failed projects.

all attempts to locate the madman have failed

all attempts to locate the madman have failed


black blue and borrowed bruises as rose-smudge on blunt cheeks
aware always of a dear sweet jesus blue eyed and bankrupt
and so this
front door ajar and encouraged to sway
just sway

cricket symphonies vibrating small-town and serious
the voices from the churchyard aggravating all deception
learn more mud, baby
cast ideals blood-earned and savage
and sway

as rumors of dyslexic decadence and overdose scandal
penetrate the diaphragm of social leaders and rats
among us low-wage prophets
we dare say we know his direction
away from the glass until the stain of swamp
to where willows argue and small children mayhem

and so now
we await word, excited for disaster
back door locked yet determined to sway
just sway, baby
just sway

--Derek Richards

BIO: It was an awkward birth. The doctor knew right away that the child in his bloody hands was a poet and future meth addict. The baby cried quickly, smiled with grace, spoke about the fluorescent taint of blood then slapped his mother. Thus born, Derek Richards.

The Tide

The Tide


The tide pulsates
like air in my lungs, veins
filled with blood, working
towards my

Heart hangs high,
surrounded by stars,
controlling the tides, beating
uneasy. Keeping

time for the glistening,
glacial sea. Together,
we'll swim through the
murky water, practicing

until we can float on our backs.

Meanwhile, the great galactic hand
gives the blue green globe
another dizzying spin.

--Magritte Opal (that's muh-greet) is a 17-year-old student from Pennsylvania. She writes mostly non-fiction and LOVES Salinger (but not Catcher in the Rye). She has been published in Pulp., which is a only school publication (but has received nationwide awards!) She's currently trying to figure out if she wants to pursue writing, but isn't making much progress, because she never knows what she wants.

the coffin and the handgun

the coffin and the handgun


seven years ago i was living in salem,
my prize possessions were a handgun,
a girl named charlotte,
and a handgun.
i hung out everynight in a bar called
Dodge Street,
do we even realize how fitting our past can be?

fuck with me?
my girl?
i'll kill you. i wil kill you.


i meant it.
seven years have gone by.
i'm older,
i gotta shave more,
my fiance and i are both amazed,
sex is incredible,
lies are forsaken.
but, sometimes,
i dream

it was cold, perfect,
loaded with hollow-points,
i could take down anyone, anyhwere,
anytime
fuck with me?
my girl?
i'll kill you. i will kill you.


instead of behind bars these last seven years,
i've been published
and my head hurts enough to tell you how much
i've fallen in love
i've tried to be a better man

but, i still dream of my handgun,
because i'm having a hard time,
a coffin sounds like a daydream.
you know?
so here i am.

come home, baby, lets ruin ourselves with
dirty, filthy passion
then allow me a moment to daydream,
a handgun,
a coffin,
a moment of peace and explosion.

i'm sick.
so help me.
load the fucking thing,
get naked,
tell me blue is your favorite color.

--Derek Richards was THIS close to being hired as head coach at Notre Dame. Why? It has become increasingly clear that most brilliant poets are severe fans of football. Why? Who knows strategy better than one who types it everyday?

Wednesday, January 20, 2010

Quoteable: A Condition of Magazines

"Print’s not dead, and print’s not going away, but, in the magazine space, a print object is becoming a rare instantiation of a cultural operation." --Warren Ellis

My Undivided Attention

My Undivided Attention


"Alright, straighten up! Eyes to the front. Lose the smile. Matter of fact, remember. Stop fidgeting. Be still. Watch, listen, wait, just like we rehearsed."

"F___in’ automaton. Think this is gonna go somewhere?"

"Yeah, if you'll shut up. And stay out of the way. We had an agreement, so cut it out with the tantrums. You just can't follow through with anything can you?

"F___ you! It’s you that’s always getting us into these holes, and then you blame me."

"That's enough. And get that nose hair. It's distracting."

"Owww!"

"We can't stand here all day. Besides, you'd have cut your nose off if you'd used scissors…. Where was I?"

"'Indispensable ass-istance' you said."

"No I didn't. But you're right I don't want to come across like a—"

"Why not? That's how it always ends up."

"What?"

"Nothing."

Quiet knocking on the door.

"Just a minute…. Oh, did you pick up my shoes?"

"No Daddy."

"I'm sorry little man, I thought you were Mommy. Go tell Mommy I need my lucky shoes and I'll be ready in 5 minutes."

"Ok Daddy. Can I watch you shave?"

"Not today. Daddy's in a hurry."

Sound of a little boy calling his mother gets fainter.

"Shouldn't always be ignoring him, you know. He's a good kid, and he doesn't have to turn out like you."

"Well, maybe that won't be so bad as you're always saying. Look, I’ll never quit trying, and if you'd just pull yourself together, maybe we could get somewhere."

"So now you're the optimist, huh? That's not how you were talking last night. Remember what you said?"

"Give me a break. I'd had too much to drink and I was alone, which means I was in your lousy company, and you do bring out the worst in me."

"That's some memory you got. Guess you forgot it was me that reminded you of your wife and kid while you were mourning your life away."

"Ok, I appreciate that. But why can't you always be there? Like right now?"

"I am. I’m there all the time. But you know I can't be there the way you want. Last Christmas, the Holiday Inn at the airport. I was there, wasn't I?"

Sound of water overflowing.

“Sweetie, is everything ok in there? We have to go if you want to catch the next train. I put your shoes at the foot of the bed.”

Knocking on the door.

“Yeah, alright. We’ll, er, I’ll be right out. Uh, honey, could you find the tie you gave me last Christmas?”

--Peter McMillan is a freelance writer and ESL instructor who lives with his wife and two flat-coated retrievers on the northwest shore of Lake Ontario.

hallelujah mr. james

hallelujah mr. james


when your eldest daugher, jane,
accused you of emotional indifference
you choked/sighed/plead
innocence
she'd just got accepted to Yale
thanks to my fucking money thanks to my legacy

i'm sure her mother is eager to argue
tuition versus detachment
but seriously
fuck her
her replacment sucks my dick six times a week
practices yoga
obesesses over the square-inches of her thighs
swallows everytime

so get your best grades, sweetheart
i hope you rise to whatever it is you desire
i am simply your father
just don't break my heart
and even if you do
i've got the worlds best scotch waiting

i hope you get all A's
i hope you learn how to rule the world
once you learn to understand that as your father
i am of no worth regarding hope
because i simply fail

let me hear your speech, my darling,
i am ready to edit.
did i ever tell you i am always perfect?

--Derek Richards says: God is a strange dude. For example, most of the young punks from Derek Richards neighborhood have died or are dying. But Derek is incredibly healthy, happily addicted and smoking no more than twenty cigarettes a day. He also eats bread.

Tuesday, January 19, 2010

BETTY’S MAN

BETTY’S MAN


When Mary stole Betty’s Man, Betty was a terribly good sport about it. Every day Betty would visit Mary when Betty’s Man, now Mary’s, was at work. Mary was bored and lonely, and Betty knew it.

Where is Betty’s Man today? In Brazil. But he isn’t Betty’s Man today. He is Mary’s Man today.

So Betty rings the doorbell. “Thought you might need some cheering up,” Betty says to Mary. Mary smiles slightly. “Here,” Betty says, “have a cigarette.”

“Thanks,” Mary would say. “Don’t mind if I do.” And then they would sit and chat, gossip about their friends, laugh and eat sandwiches out on the deck.

“Here, have another cigarette,” Betty would say. “Thanks,” Mary would say, “don’t mind if I do.” And they would laugh and eat sandwiches and gossip about their friends.

“Please,” Betty would say, “have another. Have another cigarette.” Mary would smile and say nothing, taking a cigarette from the case. Her throat was feeling a tad irritated, but what could she say?

“Another cigarette, please.” Mary would say.

“It’s just a matter of time,” Betty would think to herself. Although she was unsure of the exact science, she knew that, if she remained steadfast, she would eventually serve Mary one cigarette too many, and then Mary’s Man would be Betty’s Man again, in Brazil or not in Brazil. How she loved him so!

Betty imagined herself sitting on the deck, a cigarette still burning beside her, Mary slumped on the grass, pale and silent. Betty imagined eating the last sandwich from the tray. It would be delicious. The sun would begin to set. “Jonathan,” Betty would say, “please come out here and clean up this mess.” Betty could hear butlery footsteps in the kitchen.

Somewhere far away, and probably in Brazil, Mary’s Man would match Mary, cigarette for cigarette. Mary’s Man had a hunch. Call it love, if you will. “Life is not living,” Mary’s Man would say, “if it’s life without Mary.”

He would never be Betty’s Man again. She had her chance, and she blew it. Too angry, too many cigarettes.

And Jonathan would come out. And Jonathan would clean up the mess.

--Ricky Garni is a graphic designer and bicycle collector living in Carrboro, North Carolina. His work has been published most recently in PANK, MEDULLA REVIEW, SHAMPOO, THE BICYCLE REVIEW, PRICK OF THE SPINDLE and other venues. He has receieved a Pushcart Nominations, and one Pushcart Honorable Mention. His most recent work is TELEFRICASSEE, an episodic roux that blends story lines from 50 different sitcoms ranging from HAZEL to NIP/TUCK into 101 poems.

Monday, January 18, 2010

Quoteable

"If a man is called to be a street sweeper, he should sweep streets even as Michelangelo painted or Beethoven composed music or Shakespeare wrote poetry. He should sweep streets so well that all the hosts of heaven and earth will pause to say, ‘Here lived a great street sweeper who did his job well.'" -–Martin Luther King Junior

Ballade

Ballade


(for Kimberly)

I have known lonely streets
black and straight as her hair

streets I have stumbled down
with ashen wishes
and heart skinned into song

at 3 a.m., with gazelles in retreat
a lion past his prime
swallowing his pride
fit for the cage’s finality
that certain mercy
offered by a bullet
before it impacts lower back
finds the slow, dazzling guts of this
offers peace in stillness

she’s here before me now
the mother of my world

her body rising and falling
in easy breath blown tumbles
a body that has nurtured me
a body that has tested me
that has often offered soft asylum –
a body that has defined me as a man

she sleeps beside me
in wild blue tangles
that only her dreams
can elucidate

her face playing charades
interrupting darkness
with bewitching twitch
with sonorous snore
and luminous countenance

then the expression shifts
her lips offer a silent valediction –
an earnest goodbye kiss

another old soul,
animal memory

a dream that pushes air
a hare set in motion
an alarm, a fire in the marrow,
a breathless pursuit
through the hissing canebrakes

chased by a boy that stole his daddy’s shotgun
a boy whose aim betrays conviction

the hare’s heart
a stranger to this weakness
a stranger to the kindness
seldom offered by human hand

that boy will never catch that hare
that boy will some day learn a valuable lesson
regret his dark, implacable appetites
regret ever touching that shotgun

her expression finds
the calming eye again
a moment I shall learn to love
for it assuages the rage in my heart

her looks are the good destruction
I know this, I have accepted this,
it’s a creative pain
not unlike the pangs of love,
of birth, and consequently death

her voluptuous promise

all the honey in her hollows
the profound stories
I’ll one day learn to write
if I’m patient

Villon’s fat Margot she is not
no, she’s a less flatulent
more luculent Muse
with the energy in a wild animal’s leg
or a master painter’s arm
far from modern (read: indecisive)

the sun comes
only to be eclipsed by this scene:

a percolation of eyes (each one her own)
an escalation of pulse (my own)
a popping signal
that produces a richer,
more tangible milky way

I pour her into my morning coffee
I tell her all about the lightshow
that she is

her smile rises with the day
rinses the anxious stillness
reaches out to me

in golden embraces
each one a tender miracle

a song I wish I could sing
a poem I’ll learn to write

some day.

--William Crawford was recently nominated for a Pushcart Prize. His work has appeared or is forthcoming in Counterexample Poetics, Calliope Nerve, Unlikely 2.0, Gloom Cupboard, decomP, Leaf Garden Press, Troubadour 21, Up the Staircase, Luciole Press, Sugar Mule, Erbacce, and Differentia Press. He’s been known to read his work live on his more salient nights. He lives in Philadelphia, Pennsylvania and works in the music industry; he is also involved in animal rights. His first full length collection of poetry, Fire in the Marrow, will be published by NeoPoiesis Press in 2010.

Vertigo Comics offers Human Target #1 for free download

Nice to see Vertigo Comics offering a free downloadable first issue again. Especially one written by the unequaled Peter Milligan. We'll see if the upcoming FOX television series even compares.

PATIENT

PATIENT


He was already dead. He told himself this every time the dream ended, every time he pried his eyes open and fell face first into a new day. His body was his own sarcophagus, he really felt that way.

The doctor said they got all the cancer out. But the doctor had perfect white teeth and a full head of power hair, so he was not to be trusted. He still smelled the cancer on his own breath, all bitter and bubonic – morgue air; it made him retch and see stars. He watched its blackened, slackened jaws feeding on his own tender shadow. Read its cold, crippling, cursed hellos and goodbyes on his closed eyelids; a bright, brutal, Braille bullet impaling the virgin iris.

He hung his head, a lead balloon, to the left, felt shaving cream and razor blades in there…then to the right, mad hornets and wild honey. He felt something seeping out from in between the sutures; felt one burst, then two – a fulgurous whip crack. He screamed and hit the morphine drip – feather drums and fellatio.

He tried to think of the pain in terms of Byzantine trigonometry; ghost chalk, drifting snow across a blackboard – too abstruse, it didn’t help; now his head hurt too – a Three Mile Island fever ignited. He wondered about comas; the unmapped territories, the starlit alien regions – he’d surely welcome that now – coma wanderlust, he said it out loud to himself, it sounded goofy but he was afraid to laugh.

The nurses were singing “happy birthday” at the station down the hall. It sounded like a threnody, as near death slivers of silver-white light slipped surreptitiously into his room, forming an unexpected specter; all fisheyes and mirror balls, a slow tugging sensation – then darkness again.

He wanted out of there – the hospital, his body – it seemed like it belonged to them more than him. He wanted to go to the art museum and see the Gwathmey exhibit. He wanted to drink cheap wine in the shade of the avocado tree while the wild rabbits grazed and the robin built her nest – braided her sincere songs. He wanted to make love to the girl just one more time, have the seconds feel like years. Smell her all fresh and night fragrant; those eyes, that body, blooming all around him like wild columbine. He wanted to see himself in her eyes; improved, almost perfect – proof of existence. She was still a sweet, perfect mystery to him, new and beautiful, even now; so soft yet not easily bruised, unscathed by his sickness – he wished he had her strength.

He kept his eyes fixed on the door, waiting for her to appear, like some kind of merciful angel, with dazzling symmetry, with promises of unconditional love. The thought made him weak, he closed his eyes. He felt the slow burning, tingling beginnings of an erection, it had been a long time, maybe he was still alive after all.

He smiled and waited.

--William Crawford was recently nominated for a Pushcart Prize. His work has appeared or is forthcoming in Counterexample Poetics, Calliope Nerve, Unlikely 2.0, Gloom Cupboard, decomP, Leaf Garden Press, Troubadour 21, Up the Staircase, Luciole Press, Sugar Mule, Erbacce, and Differentia Press. He’s been known to read his work live on his more salient nights. He lives in Philadelphia, Pennsylvania and works in the music industry; he is also involved in animal rights. His first full length collection of poetry, Fire in the Marrow, will be published by NeoPoiesis Press in 2010.

Sunday, January 17, 2010

20% OFF at LULU

LULU is running a 20% off special. Now's a good time to check out Calliope Nerve's original book offerings. Use coupon code: CABIN at checkout. Offer good through January 18th site wide.

Warren Ellis: The Rust of Broadcasting

Warren Ellis: The Rust of Broadcasting.

"What Russell and his crew at Really Interesting Group have done is wrangle deals with newspaper printers. Whose business, in an emergent post-industrial age, is certainly a bit broken. Huge fucking machines designed only to print newspapers, in a time when newspaper publishers are printing fewer newspapers. RIG set up Newspaper Club, that allows people to print their own short-run newspapers using these big lonely machines that are not running the volume they used to but still need to pay for themselves."

I want to marry Franny the cow

I want to marry Franny the cow


She dances in a cow costume -
black splotches on white fabric.
The hat covers her nappy hair
but has an opening for her face.
Wire-rim glasses magnify slightly crossed eyes.
Her nose curls when she smiles.
She twirls and arches on stage
then moves among the audience
teasing men with her plastic udders.

I want to marry Franny the cow,
take her home to my neighbors
in lab coats and business suits.
She can graze in our front yard.
We’ll dine with the Cleavers and the Bradys.
“I’ll have the salt lick, please.”

But I can’t afford a cow,
and there are zoning laws.
“Women can’t wear cow suits here!
Maybe in San Francisco.”
So the neighbors sell her costume
to a fast food franchise.
Menswear employees consume her
a quarter pound at a time
then return to the store
where she fuels their efforts
to tailor our minds into jackets and ties.

--Jon Wesick has a Ph.D. in physics and has published close to two hundred poems in small press journals such as the The New Orphic Review, Pearl, Pudding, and Slipstream. Two of his chapbooks have been honorable mentions in the San Diego Book Awards. His poem, Bread and Circuses, won second place in the 2007 African American Writers and Artists contest.

How the day has gone so far

How the day has gone so far


I went to the bookstore today
and saw a hardcover by the Dalai Lama.
Another work titled Enlightenment is a Choice
vied for my attention. I didn’t buy either
but chose a paperback by Bukowski instead.

Meanwhile
the Dalai Lama went to the racetrack in Del Mar.
He stood in line at the betting window
wearing his wire-frame glasses and scarlet robe.
He was last seen driving off in a BMW
with a six-pack and a hooker in the passenger seat.

Bukowski awoke at 5:00 a.m.,
lit a stick of incense,
and began his morning ritual of one hundred prostrations.
He vowed to save all sentient beings
before eating breakfast at 6:00.

Later, outside the liquor store
a ceramic pig startled a golden retriever.
The dog howled and jerked away
straining against the leash,
while his owner struggled to regain control.

Terra cotta statues at the potter’s next door
pointed fingers and joked,
“That dog’s barking up the wrong tree.”
A near-sighted minister ignored the spectacle
lost in rapture over how God
created man by breathing life into clay.

--Jon Wesick has a Ph.D. in physics and has published close to two hundred poems in small press journals such as the The New Orphic Review, Pearl, Pudding, and Slipstream. Two of his chapbooks have been honorable mentions in the San Diego Book Awards. His poem, Bread and Circuses, won second place in the 2007 African American Writers and Artists contest.

Saturday, January 16, 2010

Bread and Circuses

Bread and Circuses


Robber barons toss bloody gloves out white Ford Broncos’ windows.
They land behind a stone wall, on which Oliver North sits,
cracking pistachios and jokes about closets filled with honest,
semen-stained Republican cloth coats. Distracted by this information
America’s appetite for truth heads south.

Lenny Bruce howls into a smoky microphone
to remind us how privileged executives got rich
from Phantom jets dropping butterfly bombs,
that sting like bees, on jungle trails half a world away.
Ho Chi Minh played rope-a-dope and evaded body bag blows,
until America screamed, “No mas!” Rolling Stones gathered the blame,
while Hell’s Angels feasted on knuckle sandwiches and smoked Sturgis.

The Phantoms still fly. CEOs bail out with golden parachutes.
Only the rich are guaranteed a soft landing.
African machetes rise and fall unnoticed. We watch for hours,
while helicopters search an empty ocean for a lost president’s son.
Ethnic Cleanser won’t remove the stains from German showers
no matter how hard you scrub.
Floods and famine blossom in Kyoto greenhouses.
This alone should raise more red flags than Tiananmen Square.
Yet editors cover up their short necks with mufflers made of newsprint.
We’re distracted by presidential cigars,
which are only cigars.

John Doe cuts the microphone cord.
The governor sentences Lenny to death by lethal injection.
“Will there be rabbits, George?”
I know why the ocean’s salty.
It’s made of tears.

--Jon Wesick has a Ph.D. in physics and has published close to two hundred poems in small press journals such as the The New Orphic Review, Pearl, Pudding, and Slipstream. Two of his chapbooks have been honorable mentions in the San Diego Book Awards. His poem, Bread and Circuses, won second place in the 2007 African American Writers and Artists contest.

Scorpion Vocabulary

Scorpion Vocabulary


Language has left
A fossilized heart
Dead and buried
The language of bones

Disinterested vultures
Obligatorily circle
Above even meat’s
Scent is gone now

A train in the distance
I am a passenger
Or some baggage
A ghost conductor whistles

I follow the carcasses
Each their own word
Got to move and
Find some water

There’s none here
In this wasteland
I’m so thirsty for
Companionship

A scorpion nips
At my boot

I brush it away
Unceremoniously
It vanishes
In the sunlight

--Kevin Del Principe resides in the Greater Cincinnati area with his wife and two dogs. He mostly writes plays. Radio Waves recently premiered in
Louisville and The Man Who Carried Away the Mountain before that in Buffalo. A product of Buffalo, he often has the Queen City on his mind, and occasional makes wild and unsubstantiated claims about steel running through his veins.

Captain Spaulding, I Presume?

Captain Spaulding, I Presume?


Marx
the comedian not the communist
- or was he a socialist? -
may or may not
have shot
an elephant in his pajamas
(I don't know how it could fit in those tiny leggings, either)
but regardless of his political leanings,
Groucho
not Carl
was best know to Americans
not only for the Broadway Musical,
Animal Crackers,
or movies such as, Night at the Opera,
but for a game show called, "You Bet Your Life".

The bespectacled, mustached fellow
invited men, women
from all walks of life:
tall ones,
short ones
brilliant ones,
not so smart and clever folks
to his show
and most bet their lives
they knew the answers
to questions
many sane members of society
had a clue to, too.

In one show,
a refined southern gentlemen
who had a wonderful recipe for fried chicken,
never did guess
the secret word,
but Colonel Sanders always was better
with foul than funny men.
Even famous writers
such as Ray Bradbury flubbed-up;
but four-star general
Omar Bradley came mighty close.

My favorite contestant
was the smug intellectual
from M.I.T.
who claimed to have developed a system
on how to beat a roulette wheel.

I wonder if that formula
won him tenure
in the Physics Department?

Either way,
the Master of Improvisation
played along, mispronounced
the last name of the Ph.D.
every time they spoke.
When the dapper fellow
on sabbatical
told the comedian
of his generation
the money he earned in Vegas
allowed him to finish his first book:
Quantum Mechanics and the Art of Gambling
the quick thinker fiddled with his Havana,
rolled his eye brows
and retorted,
"I'm sure it will be a best seller
- but not in your lifetime."

Regardless of impending literary fame,
the man answered four questions
on Astronomy. After he conferred
with his gall pal
partner in game show shenanigans,
both hugged like honeymooners
in the Bonus Round
that made them thousand-aires
and $10,000.00 1959 dollars richer.

"Put this money in the bank little lady,
before your partner in larceny
whispers in your ear, "Lay it on 7 Red, Sweetheart"
or worse - asks you to invest your five thousand
in his new book deal."

Boy, Marx
could make me belly laugh
- the one teamed with Chico, Harpo and Zeppo
not the economic/historical author -
and what a writer the fellow namesake was, too.

The Communist Manifesto
is still a big seller
especially in Hollywood
in the 1950's
- ask anyone named . . . McCarthy.

--Joseph DiLella is a college professor by trade, a creative writer by avocation. He's published poems and short stories in such journals as Mad Swirl (where he's a featured poet), Clockwise Cat, Calliope Nerve, and Static Movement.

Friday, January 15, 2010

the murder of New York City

the murder of New York City


upon his arrival, red wine and vodka became an instant favorite,
i noticed all the white girls talked about their asses
with a little more 'yankee soul'.
New York City came to our trailer-park in august
and before the first of october,
my born-again-raised cousin Jimmy was discussing crack
like it was just another sunday crossword puzzle.

now, i'm black too, and before New York City,
I, I, I, was the hip out-of-state legend,
the first "must-be-a-drug-dealer" to invade tiny Nocusasett, Massachusetts,
the first man to get to Jenny Newlander naked in the woods.
so when New York City showed up, all red wine smooth,
vodka violent and looking a bit like good ole Denzel,
i admit my place in paradise felt a little compromised.

in the indictment hearings they said the whole Jenny Newlander
thing had pushed me over the edge,
let me just say this;
the first six years of my life i didn't know what it was to sleep
in a bed or eat more than twice a day,
so "the edge" may be a matter of perspective.

sometime in late october New York City and Jenny Newlander
were caught fucking on the golden sands
of Old Patriot Beach, and according to eyewitnesses and
multiple police notes, he was naked and she hadn't even removed
her maroon-plaid skirt or her sunglasses.
but what no one seemed willing to admit or encourage,
was the fact that i'd already moved on to Sharon Meredith,
a twenty-two year old kindergarten teacher
who drove a Lexus and got me invited to the local yacht club.

how New York City got shot thirteen times on a cool sunday afternoon,
by a Sigsauer Hollow-Point Nine MM,
in tiny white-blood Nocusasett beats the hell of out of me,
but never seemed much of a mystery to the six 'Boys
of the local police department.
one black gets killed in a town with two
and the case is solved before Jenny Newlander can even get
grounded by her Protestant father.

when Sharon found out about this whole mess,
suddenly she decided maybe she'd been drugged, raped
or both, that maybe she'd been having one too many
dry-martinis down at the old yacht club.
didn't you tell most of the members that you were not only "in love"
with Mr. Jellings, but also hoping to have his baby?
my court-appointed lawyer asked.
if i did, Mr. Shubert, it's only because he had spiked my drink
once again with some ghetto drug.
Mr. Shubert looked down at me, shrugged accusingly
and asked that the court recess,
obviously the half-pint in his jacket wasn't proving sufficient.

now, when New York City invaded my space,
i wasn't exactly calling him up everyday to go play ball or
record a rap album or even to hang out and smoke a blunt.
but him black and me black didn't seem enough to shoot someone
with a gun i'd never held, with bullets i'd never loaded,
with a motive i'd never had much need for.
i rest my case, your honor, said Mr. Shubert, red-eyed
and piss-stained with shame for representing me.
not much of a case, Mr. Shubert, Judge Hallings pointed out.
guess not, your honor. but i think he's guilty too.

Jenny Newlander sent me a letter two weeks ago,
saying she knows who killed "the love of her life" but she ain't
gonna get her daddy "all riled up anymore".
i showed this to my counselor and he smiled bitter and true.
Jenny lost her credit on a beach, Jellings, remember?
i went back to my cell and wrote a long letter to my grandma
back home in Atlanta.
white girls up here, grandma, ain't all that

in twelve-years i'll get my chance before a parole board,
New York City will be a simple stain on the glorious parade
called Jenny Newlander, and Sharon Meredith will probably
be under the bar at the yacht club, charging five dollars
a blow-job with milk and chocolate-chip cookies on her mind.
i'm thinking i'm gonna head back down to Atlanta,
find a nice black girl or maybe one of those freaky Asians,
buy me a little house in the suburbs
and forget all about the murder of New York City.

--Derek Richards created a sandwich named the Always. No one in the history of fantasy sports
has won more championships. Sometimes, in his spare time, he teaches inner-city
kids how to fight when strung out and unfocused because of hunger.

housing project reunion

housing project reunion


when we die
i don't care
honestly
i'm not them
i show in black
grimace
hands through my hair
but fuck them
the dead
i'm still high
still smoking cigarettes
still cool
they smell
wear lipstick
dumb blue suits
hairspray
her young blonde thighs
contemplating
physics
guitar strings to buy
and the dead
are useless
young or old
god or needle
simply dead
no more
singing

--Derek Richards

AUTHORS BLURB:

...and another thing on housing-projects....every year I need to buy less and less
Christmas presents because another one or two of my friends die or commit suicide.
I call myself a poet because I am that poor. The holiday season is hard enough.

adrunaway

adrunaway


avoid it
careful not to
startle it
if I don’t
look at it
think of it
dwell on it
all will be well
and well and well and
it will stay hidden
crouching and dormant and motionless
wary and watching me
stag under cover

but one errant thought--
an accidental glance in its direction--
admission of its existence--

Flushed out!
it leaps and takes flight and
it pounds its way lobs its way
clambering up and over and across
my heart is bursting
ground shakes with the galloping steamrolling battering
hidden is the hunter
the hidden is the hunter--

sweating and trembling
I chew the bitter pill
beg the beast to subside
please God
let me breathe
just let
me
be

--Ash Krafton is a mature, responsible wife and mother who cheerfully juggles career and family while striving to be an upright member of her community. But that’s only when people are watching. When she’s alone, she writes. Then all bets are off.

Link Kick

Peter Milligan Revisits Shade.



Note book notes from Warren Ellis.

Muse covers House of the Rising Sun. Much like my own band Straight Jacket Sister would.

Smashwords makes some predictions on the future of reading. 95% of reading will be on screens. (E-readers, e-books, and the like.)

Warren Ellis: Post Industrial Broadcast. We’re in the depths of the consumer-society democratisation of the relevant technologies.

Calliope Nerve loves Lilly Press and Phoebe Wilcox.

Bending Technology To Your Will. How to make a TV Modulator From Salvage.

The Four Horseman on their upcoming work with Mattel. How do I get that job?

A solid essay on the benefits of capitalism.

Gethsemane is a song I'd never thought I'd fall in love with. But I did. Music for Calliope Ears.

Thursday, January 14, 2010

Infidelity

Infidelity
You serve up your infidelity with such delicacy,
always a la Florentine bedded by that edible
flowering plant that gave Popeye The Sailor Man
such fortitude, the same one that makes me
regurgitate your name with immense hatred.

Those dark green, crinkly, curly leaves offer me
no solace or explanation as I look for release in
the pastel blues and greens of my kitchen walls
and counter tops where darkness seems to edge
close seeking entrance.

I start to peel that starchy, tuberous crop the one
you always said would make me fat, the one I loved
to eat baked, smothered in bacon and cheese. Tonight
there will be no holding back, no counting calories
for your sake, no famine to overtake my heart.

--Belle Green is a is a self described free spirit and former elementary school teacher turned writer. Her work has been widely published in various print and online magazines and she has received numerous awards for her writing.

The Whole Thing Over With

The Whole Thing Over With


From her side of the bed
the wife suggests he get dressed,
go out in the night and
purchase a piece. She’s

not in the mood. Or
if he must, he can
go ahead, stick it in,
shoot it off, and get

the whole thing over with.
She doesn’t care any more
where he pours it
so long as he’s quiet

and doesn’t wake the kids.
Too tired to dress,
he sticks it in, explodes,
rolls off, finally spent.

Maybe now the beasts
that never creep
within his crosshairs
can get some sleep.

--Donal Mahoney, a native of Chicago, lives in St. Louis, MO. He has worked as an editor for The Chicago Sun-Times, Loyola University Press and Washington University in St. Louis. He has had poems published in or accepted by The Wisconsin Review, The Kansas Quarterly, The South Carolina Review, The Beloit Poetry Journal, Commonweal, Calliope Nerve, Public Republic (Bulgaria), Avocet Review, Revival (Ireland), The Istanbul Literary Review (Turkey), Poetry Friends, Poetry Super Highway, Pirene's Fountain (Australia) and other publications.

Quoteable



"I'm just merely boots and bones." --Tuff

Owling

Owling


She's a little ocean in a tutu with hurricane
tantrums and tsunami kisses that drown.

I watch her from a bare limb
with nocturnal eyes and rotating head.

Who, who, who?

The question spills its blood on the snow.

The moon is pregnant and makes a dull thud
when I thump its belly, testing its ripeness.

Hurricane-girl approaches and my feathers fall out
one by one like hairs on an old man's head.

She walks by sloshing dreams
from the bucket of her head.

Unnoticed, I put my finger in the puddle
she creates and bring it to my lips

A taste, just a taste.
It's enough, I tell myself.

--Paula Ray is a musician from North Carolina. She chews words and blows bubbles with them. Sometimes, they pop in her face or get stuck in her hair. Other times, they land on paper and get stuck in small press zines. Her work has littered: elimae, Word Riot, decomP, and others. For more information about Paula, visit: http://musicalpencil.blogspot.com.

Wednesday, January 13, 2010

Calliope Nerve Intervew Series: Scott Marshall


Scott, in the time I've known you've clearly mixed your creativity with entrepeneurialism. Tell us about Omikase Design.

Omakase is the Japanese word for "entrust." If you go into a sushi restaurant and order omakase, you are entrusting the chef to use his judgement to create something for you. In the context of my business, it means that I try to be an expert in my field that a client can trust to create a good product.

Tell us about being a Buddhist? Does your faith inform your creativity?

Like a lot of Buddhists in the West, it's not about faith for me; Buddhism has no articles of faith. Quite the opposite, it is about seeing and dealing with what is real here and now. I wouldn't say it informs my creativity exactly but it certainly shapes my outlook on life and as a result, the content of the work I tend to produce.

We met through the Amateur Publishing Association APA Centauri. Can you tell us about some of the zines and small press comics you've produced over the years?

I joined AC when I was 15, and at that time it was largely an outlet for fan fiction and personal zines and such. It was thanks to AC that I started to draw and write more seriously, starting to draw comics when I was 20, publishing mini-comics in the early to late 90s, still mostly personal stuff. I had some scripts for comics that never got drawn that wound up being reworked as scripts for plays after I got involved with local theatre about ten years ago. Not long after that my son was born and my publishing output was reduced sharply. Since then I have done some web-based stuff, mainly blogging and some little comics projects; the most significant lately being a movie review blog called Sunday Night in Cinema 3 which I still plan to collect as a book.

What type of education background do you have? (Formal or informal.)

I have an MA in English literature from Acadia, a small university in Nova Scotia. In the late 90s I took a course in graphic design in order to change careers and give me more skills for publishing and comics.

What's on your recommended reading list?

My favourite writers tend to be genre guys, like Philip K. Dick, John Wyndham, Richard Matheson, Robert Cormier. Lately I have been enjoying Douglas Coupland, Ian Rankin, Kenneth Oppel, and William Gibson's recent stuff. And of course a bunch of comics people, especially Kirby, Moore, Morrison, Kurtzman, McCloud, Cooke, et al. All time favourite books include The D Case by Carlo Fruttero and Franco Lucentini; Only Forward by Michael Marshall Smith; Confessions of a Crap Artist by Phil Dick; High Fidelity by Nick Hornby; Lone Wolf and Cub by Koike and Kojima. If people are interested in reading Buddhist books, I enjoy Brad Warner's stuff and a book called The Diamond Cutter.

You are also a playwright and actor, we'd like to know more.

I would not say I am not much of either, but I have enjoyed being on stage with some friends and learning more about it. If nothing else I have discovered that I don't have the need or passion to be on stage that some people do, so after doing a lot of plays in a short period of time a few years ago, I have since only gone out for roles that I really want to do, if I really have the time. There is a local event every summer where teams of performers write and perform a short play in 24 hours, and in many ways that is more fun for me than being in more serious productions was.

How has technology affected you over the years?

The big difference is just that it allows me to save and perpetuate and revisit my work, I guess. I started writing on a manual typewriter, and drawing on bristol board with technical pens. Now I can create anything I care to on my MacBook, in Word or Manga Studio with a graphics tablet. And of course the internet has pretty much put APAs out of business. Those who want feedback on their creative work can create a blog or webcomic or whatever and get advice from people around the world.

Do you consider yourself prolific?

No. Not as much as I would like to be. But I think the quality of what I manage to produce now is higher than when I used to crank out New Mutants fan fiction. :) I sure hope it is anyway.

You also have done technical writing What types of projects have you worked on. How is technical writing different and alike to more traditional creative styles?

Technical writing is not exactly creative, it is more about distilling information down to its most essential form so that a target audience can understand it. I have worked for the nuclear industry, writing operation and training manuals; and for various e-learning companies, creating courses that people take online or in their workplace. It's useful experience for writers in that it teaches you to be brief, organized, and to keep the reader in mind.

Tell us about illustrating. What tools do you prefer to draw?

It varies. I have always loved the traditional tools for creating comics, brush and ink, but I also enjoy using a graphics tablet to draw straight to the computer screen. These days I mostly just draw in a sketchbook when I can grab a moment, using pencils and brush pens.

What does the future hold for Scott Marshall?

Hopefully another 50 years or so. :)

You can find out more about Scott Marshall by going to his blog located here which includes links to some of his comics and plays. Calliope Nerve recommends Scott's play Photoshop Time and Comics for Coalfish--look for Abe Lincoln and The Twin Towers at the end of the PDF.