Tuesday, November 30, 2010
Death
Death
I dreamed of death the other night
mournful and gut wrenching
more emotion and true fright
than I ever felt
over the subject
in real life.
Kept saying, if I could only
convince myself of an afterlife
a chance to reunite
then I could continue
with faith
and it would be alright
Yet I did not have any.
I awoke with emotions still fresh
afraid to contact anyone
and discover bad news.
Later, my mother called
A relief!
"What day did your brother Johnny die?" I asked her
"Today" she replied.
So weird, he died before I was ever born
yet together we re-experienced his loss
just hours before dawn.
--Madrea Marie currently trying to get her head back on straight after taking a year of Psych courses. She is a married mother of several young kids, and enjoys art, writing, and poetry in her free time.
Monday, November 29, 2010
NICU
NICU
You were the best poet I heard.
It was an honour to be near you
And be taught by you. You need three things
To live well: a good heart, a trained mind, and
A gut paved with metal.
Nicu, today I sing about you again.
Nobody else could turn sixty years
Of suffering
Into humour.
--This poem is from The Wooden Tongue Speaks, by Bogdan Tiganov, soon to be published by Honest Publishing.
You were the best poet I heard.
It was an honour to be near you
And be taught by you. You need three things
To live well: a good heart, a trained mind, and
A gut paved with metal.
Nicu, today I sing about you again.
Nobody else could turn sixty years
Of suffering
Into humour.
--This poem is from The Wooden Tongue Speaks, by Bogdan Tiganov, soon to be published by Honest Publishing.
Saturday, November 27, 2010
The Doozer
The Doozer
She looked and sounded
like Cotterpin Doozer
from Fraggle Rock
and had about one tenth
of the sex appeal,
and not just because I
used to screw puppets
all the time when I was
a teenager, because I did,
even the Charlie McCarthy one,
and Lambchop,
and Lester,
and Miss Henrietta Pussycat.
Okay, I didn’t have
Miss Henrietta Pussycat,
but I did sometimes
fantasize I was with her
when I was doing Charlie.
--Michael Frissore has a chapbook called Poetry is Dead (Coatlism, 2009) and a blog called michaelfrissore.blogspot.com. His writing has been nominated for the Pushcart Prize and Dzanc Books' "Best of the Web" anthology, and has appeared most recently in Jersey Devil Press, Pulp Metal Magazine, Houston Literary Review, Catalonian Review, and elsewhere. Mike grew up in Massachusetts and lives in Oro Valley, Arizona with his wife and son.
Friday, November 26, 2010
BOUGHT A HOUSE
BOUGHT A HOUSE
Bought another house
Closer to the river
Where I can see the peasants
Drown.
God bless them…
Bought another villa
Next to the other one
And right next door to the
President.
He’s a laugh and a
Half…
Looking to buy a palace
Beneath the heavens
Where the only way is
Down.
(Don’t be jealous,
Come and visit,
Bring gifts,
Credit cards, loans,
Real good deals.)
Will find the money
To renovate my homes,
My sweet sweet homes,
Terrible,
Yes,
But it’s so hard being poor,
It is it really is
Impossible to get by
Oh my poor poor children:
Devastating.
And
You’ll never know
The pain, the true true pain
Of living with only
Four homes, three cars and
Two vineyards, four dogs,
Three cats, two cockatoos
And a wife.
--This poem is from The Wooden Tongue Speaks, by Bogdan Tiganov, soon to be published by Honest Publishing.
Bought another house
Closer to the river
Where I can see the peasants
Drown.
God bless them…
Bought another villa
Next to the other one
And right next door to the
President.
He’s a laugh and a
Half…
Looking to buy a palace
Beneath the heavens
Where the only way is
Down.
(Don’t be jealous,
Come and visit,
Bring gifts,
Credit cards, loans,
Real good deals.)
Will find the money
To renovate my homes,
My sweet sweet homes,
Terrible,
Yes,
But it’s so hard being poor,
It is it really is
Impossible to get by
Oh my poor poor children:
Devastating.
And
You’ll never know
The pain, the true true pain
Of living with only
Four homes, three cars and
Two vineyards, four dogs,
Three cats, two cockatoos
And a wife.
--This poem is from The Wooden Tongue Speaks, by Bogdan Tiganov, soon to be published by Honest Publishing.
Thursday, November 25, 2010
THE GATEKEEPER
THE GATEKEEPER
I am the samurai
Beast inside your purity
Whispered the drunken
Gatekeeper
And you, you
Will eat yourselves
Like wild dogs.
The dead survive
Amongst the living
And you’d better
Listen and listen hard
At the head of
A carcass or
Head of an angel.
--This poem is from The Wooden Tongue Speaks, by Bogdan Tiganov, soon to be published by Honest Publishing.
I am the samurai
Beast inside your purity
Whispered the drunken
Gatekeeper
And you, you
Will eat yourselves
Like wild dogs.
The dead survive
Amongst the living
And you’d better
Listen and listen hard
At the head of
A carcass or
Head of an angel.
--This poem is from The Wooden Tongue Speaks, by Bogdan Tiganov, soon to be published by Honest Publishing.
Wednesday, November 24, 2010
Abolishing Death
Abolishing Death
The river unfurls like a shroud,
now my drowned wear you always
then we will be married.
Red water gives a monstrous birth,
abolishing death
as creatures devour our gifted ash.
The chaotic night has withdrawn
into arms of the purple robed sun
stretched infinite in sky and fire.
I will return into you.
--John Swain lives in Louisville, Kentucky. His chapbooks, Prominences and Sinking of the Cloth, appeared from Flutter Press and Set Apart Before the World Was Made appeared from Calliope Nerve Media. Full of Crow published his ebook, The Feathered Masks. His work has received nominations for the Pushcart Prize, Best of the Net, and Best of the Web.
The river unfurls like a shroud,
now my drowned wear you always
then we will be married.
Red water gives a monstrous birth,
abolishing death
as creatures devour our gifted ash.
The chaotic night has withdrawn
into arms of the purple robed sun
stretched infinite in sky and fire.
I will return into you.
--John Swain lives in Louisville, Kentucky. His chapbooks, Prominences and Sinking of the Cloth, appeared from Flutter Press and Set Apart Before the World Was Made appeared from Calliope Nerve Media. Full of Crow published his ebook, The Feathered Masks. His work has received nominations for the Pushcart Prize, Best of the Net, and Best of the Web.
Tuesday, November 23, 2010
A Restless Facing
A Restless Facing
The crow flies the darkness without wings,
the sun whitened its face and departed the trees
like a red king wed celestial in lion blood.
I am unground from the earth,
burned like the bird flamed from cliffs of saltpeter.
Beneath the expanding tents I searched for words
to purify myself, but you did not appear.
In a dream I saw you garbed like an aurora queen
poised on a throne in the eye of the crow.
Into a restless facing of lords
we are summoned by prayer,
though I still warp on the shores of your agony.
--John Swain lives in Louisville, Kentucky. His chapbooks, Prominences and Sinking of the Cloth, appeared from Flutter Press and Set Apart Before the World Was Made appeared from Calliope Nerve Media. Full of Crow published his ebook, The Feathered Masks. His work has received nominations for the Pushcart Prize, Best of the Net, and Best of the Web.
The crow flies the darkness without wings,
the sun whitened its face and departed the trees
like a red king wed celestial in lion blood.
I am unground from the earth,
burned like the bird flamed from cliffs of saltpeter.
Beneath the expanding tents I searched for words
to purify myself, but you did not appear.
In a dream I saw you garbed like an aurora queen
poised on a throne in the eye of the crow.
Into a restless facing of lords
we are summoned by prayer,
though I still warp on the shores of your agony.
--John Swain lives in Louisville, Kentucky. His chapbooks, Prominences and Sinking of the Cloth, appeared from Flutter Press and Set Apart Before the World Was Made appeared from Calliope Nerve Media. Full of Crow published his ebook, The Feathered Masks. His work has received nominations for the Pushcart Prize, Best of the Net, and Best of the Web.
Monday, November 22, 2010
Epitaph Seven Years Past
Epitaph Seven Years Past
Morning glories open the field
like snow glistening in sun,
this light tangled in vines
again refuses my entrance here.
I turn the loose earth
searching the murmurs for presence.
Then I held you in legend
like we were alive
while the world like a cenotaph
disguises our closeness with sky.
--John Swain lives in Louisville, Kentucky. His chapbooks, Prominences and Sinking of the Cloth, appeared from Flutter Press and Set Apart Before the World Was Made appeared from Calliope Nerve Media. Full of Crow published his ebook, The Feathered Masks. His work has received nominations for the Pushcart Prize, Best of the Net, and Best of the Web.
Morning glories open the field
like snow glistening in sun,
this light tangled in vines
again refuses my entrance here.
I turn the loose earth
searching the murmurs for presence.
Then I held you in legend
like we were alive
while the world like a cenotaph
disguises our closeness with sky.
--John Swain lives in Louisville, Kentucky. His chapbooks, Prominences and Sinking of the Cloth, appeared from Flutter Press and Set Apart Before the World Was Made appeared from Calliope Nerve Media. Full of Crow published his ebook, The Feathered Masks. His work has received nominations for the Pushcart Prize, Best of the Net, and Best of the Web.
Labels:
John Swain
Sunday, November 21, 2010
Blowing Horns
A certain death versus
an existence dabbling
with the lower fragments
of the poverty line,
the line of poverty.
My government
and My parents
made the obvious choice
They call me a minor girl,
and I wash dishes
with gutter water--
just a part-time job.
A shoe factory
employs me
for more hours though.
Each day is insanely long,
with pushes and shoves and slaps
from knowns and unknowns.
Crevices of my heart
are now filled
with a shaky jelly
of fear and pain.
But (smiles) little whiffs
of joy do come
in childish and childlike fashion,
scattered in occurrence
and reminding,
me of my age.
And about three months back,
boys at the factory touched me--
some weird places.
The fear of this night
somehow seems to have started there
My father,
feverish forever,
ordered me to please the insides
of this monstrous black car
where two gentlemen
blow their horns.
I know how.
I know why.
The generation
you are proud of,
is full of knowledge.
an existence dabbling
with the lower fragments
of the poverty line,
the line of poverty.
My government
and My parents
made the obvious choice
They call me a minor girl,
and I wash dishes
with gutter water--
just a part-time job.
A shoe factory
employs me
for more hours though.
Each day is insanely long,
with pushes and shoves and slaps
from knowns and unknowns.
Crevices of my heart
are now filled
with a shaky jelly
of fear and pain.
But (smiles) little whiffs
of joy do come
in childish and childlike fashion,
scattered in occurrence
and reminding,
me of my age.
And about three months back,
boys at the factory touched me--
some weird places.
The fear of this night
somehow seems to have started there
My father,
feverish forever,
ordered me to please the insides
of this monstrous black car
where two gentlemen
blow their horns.
I know how.
I know why.
The generation
you are proud of,
is full of knowledge.
Saturday, November 20, 2010
DOWN IN THE HOLE
DOWN IN THE HOLE
Trying to be someone I was hit by a train
Of thought in my youth I thought that
I might someday obtain a personality
A visa into a world of myself who
I am remains an encumbrance
I could just as well do without him he
Has been nothing but a burden a harness
Cursed by genes and countless beatings
Understand I am someone you should
Pass unheeding deep underground
Friday, November 19, 2010
Goanna
Goanna
Guyana Indian iguana
monitor
creek-swim
tree-climb
spider eating “Sand Gould”.
Forked-tongued
swordtail
scorpion sting toothpick.
Four-foot saunter
b ack
leg sprint
nest plugged camouflage
centipede chased
cannibal
carrion chew.--Kevin Heaton lives and writes in South Carolina. His chapbook, "Postcards of Faith," is at Victorian Violet Press. His work has appeared in: Calliope Nerve, Pirene's Fountain, Counterexample Poetics, Right Hand Pointing, Nerve Cowboy, Elimae, Foliate Oak, Nibble, and many others. http://kevinheatonpoetry.
Thursday, November 18, 2010
Three Visual Pieces From RC Miller
| --RC Miller lives in Metuchen, New Jersey and maintains a blog at VISION BLUES. He is the author of the Calliope Nerve Media chap GORE. |
Any and All
Any and All
God love journal editors.
They issue guidelines admonishing
writers to send them their finest work
in ‘any and all’ styles; other than
rhyming or greeting card verse.
However, all editors are writers
themselves, with unique styles,
and for reasons inherent to human
nature, naturally gravitate toward
displaying preferences for work similar
to their own; relegating the bastard
term: ‘any and all,’ to oxymoron status.--Kevin Heaton lives and writes in South Carolina. His chapbook, "Postcards of Faith," is at Victorian Violet Press. His work has appeared in: Calliope Nerve, Pirene's Fountain, Counterexample Poetics, Right Hand Pointing, Nerve Cowboy, Elimae, Foliate Oak, Nibble, and many others. http://kevinheatonpoetry. webstarts.com/publications. html
Wednesday, November 17, 2010
Confession #2
Confession #2
There is the limp lack.
There is the slumped back
of a child staring at her hump-
backed shadow—slow,
a camel through a needled
conscience, a sponge of hooks.
Nails draw blood and the lungs
begin to descend, dragged by gravity,
the sin of suspension, the art of the lie.
Her grin is dirt irritated
into pearl, her tongue a rag
of earth pinned by skin,
the weight an earthball
in her chest, air so heavy
the world slows its spin. She shuts her lids
and the shadow follows in,
lockstep with dreams:
a frayed belt, a smooth stone
lost down a grate, a bus late
with no destination. She wakes
with a cord, a placental ghost,
a parachute above her bed.
The phone rings. The alarm. The host
floods back, sun again.
--Janann Dawkins' work has appeared in publications such as decomP, Existere, Mezzo Cammin, Ouroboros Review & Two Review, among others. Leadfoot Press published her chapbook Micropleasure in 2008. A graduate of Grinnell College with a B.A. in American Studies & twice nominated for the Pushcart Prize, she resides in Ann Arbor, MI.
Tuesday, November 16, 2010
Confession #1
Confession #1
There is the limp lack.
There is the slumped back
slick with sin, the sin
that did her in.
That water runnin'
up her pump. Ditch-dark
piss-poor water jumpin'
like a sparked electric
outlet. Don't put
that fork in her
open holes.
Listen, you want
your sins in a basket
like dirty whites, marks
that bleach brings back.
Bleach cleans. Bleach
that poignant
little nettle
and let syrupy goodness
bring you back.
--Janann Dawkins' work has appeared in publications such as decomP, Existere, Mezzo Cammin, Ouroboros Review & Two Review, among others. Leadfoot Press published her chapbook Micropleasure in 2008. A graduate of Grinnell College with a B.A. in American Studies & twice nominated for the Pushcart Prize, she resides in Ann Arbor, MI.
Monday, November 15, 2010
Confession #3
Confession #3
There the nerves twitch.
Then synapses switch
inconsequentially & slap
across the synaptic gap
serotonin, neurotoxins'
cousin, a misfired gun
shot through, a boson
atom of fun
parachuting into digital
circuitry, surgical
wires layering data
into place, stratum to strata.
Mislaid. Patterns
patchwork together, learn
new avenues
of danger, paths accrue
faultlines of activity,
negative electricity
bounding back along
irregular tracks.
There the nerves twitch.
There the lips jerk, stitched
together, then apart.
The logic of a lie is an art.
--Janann Dawkins' work has appeared in publications such as decomP, Existere, Mezzo Cammin, Ouroboros Review & Two Review, among others. Leadfoot Press published her chapbook Micropleasure in 2008. A graduate of Grinnell College with a B.A. in American Studies & twice nominated for the Pushcart Prize, she resides in Ann Arbor, MI.
quoteABLE
"...even though all mysteries contain secrets, not all secrets contain mysteries." --Sturges/Willingham
Sunday, November 14, 2010
Ideas
Ideas
excavate logic’s uncanny retribution
disproportionate swarming wind
gales of thoughtful
movement (horizontal unblamed, shopworn examinations)
glorified resemblance of night’s
remarkable
pleasantry
hardened radiance
asterisk skeletal pronunciation
venture desolate prior delving apparition.
Confession #7
Confession #7
Behind her, beyond sight,
in a black box, there is her stash,
her last laugh, the frightening bits
of her sad stains. Smells like camphor
and licorice. Black liquor.
Jagermeister, yes, it once made her sick.
She was through with it.
Now to this. This bliss
in a bottle. Stuck in a cardboard
box and shoved across the counter.
Take it, it's yours. It's bliss
for a schizophrenic. It's meant
to make you well, but it will
bleed you. It'll make you feel
like sickle cell.
Saturday, November 13, 2010
Carnival of Oleanders
Carnival of Oleanders
--Wynne Huddleston’s poetry has been or will be published in the Birmingham Arts Journal, Raven Chronicles, The Stray Branch, THEMA, Camroc Press Review, Grandmother Earth XVII, Gemini Magazine, Emerald Tales, Waterways, From the Porch Swing, joyful!, The New Fairy Tales Anthology and others. Her website is http://wynnehuddleston. wordpress.com/
Your carnival mirror eyes
report your distorted view of me.
Yes, my shoes are much too big,
so why tie the laces together?
Ok… I know my flower
squirts you in the face, but
only when you touch it. Too bad
it only holds water. Perhaps
the next time you make me fall
I’ll crawl over and pick some lovely
white oleanders for my table. Then,
to make amends for my being
so clumsy, maybe I’ll invite you
to dinner and... oops!
Friday, November 12, 2010
I Trip on My Poems
I Trip on My Poems
In the night when poems
are born, I search for the hidden words,
secrets stretch inside my metaphors.
Even near my tender moments
when the images blossom into rain flowers
I trip on stems cut my way loose to nowhere.
I go there to see what I can find.
Thursday, November 11, 2010
New Job in a Small Office
Third day on the new job and Sue calls.
Will I hurry home and sit with our daughter
while she runs with Sean to the doctor.
I tell the boss why I’m leaving.
He says too bad about the boy and calls
the timekeeper who marks his ledger
and begins to keen for the parents
and for the deaf mute bobbing in the back room
stuffing envelopes and licking them.
I’m four tiles away from the front door
when my co-workers rise from their desks,
zipping their flies, changing their tampons.
They sing, a cappella,
“We’re all going with you.”
Except for the receptionist
who is eight months pregnant.
Her nails are chipping,
her ankles are swelling.
She sits all day, eyes
at the switchboard, ears in receivers,
her stomach a zeppelin
a moment from lift-off.
When the others rush out the door
it’s too much: She screams, throws her
breasts in the air like beach balls
and cries, “What soul among you cares:
For months my vagina’s been itching.”
--Donal Mahoney, a native of Chicago, lives in St. Louis, MO. He has worked as an editor for The Chicago Sun-Times, Loyola University Press and Washington University in St. Louis. One of many Pushcart Prize nominees, he has had poems published in The Wisconsin Review, The Kansas Quarterly, The South Carolina Review, The Beloit Poetry Journal, Commonweal, Revival (Ireland), The Istanbul Literary Review (Turkey), Public Republic (Bulgaria), Calliope Nerve and other publications.
Wednesday, November 10, 2010
NICHITA
NICHITA
You look overweight unprepared for a photograph.
You look dishevelled
Posing for a magazine.
You look like a drunkard
Alive to sentimentality now
You look proud wearing
A cracked leather jacket
Your father forgot behind
For you to recry memories.
Your grey eyes now
They stare like ice blue
Vodka.
Staring away to a cement reminder of mortality…
And who bled you? Who
Reinvented mathematics?
Failing his Nobel,
Painting his underwear red,
Shot you in sepia
Looking like a man not a child,
Like a wolf like a lion,
Like you’re unsure the
Dimension to carve up
And when but now
Your cheeks, wet, ballooned,
Wept demons and spread
Wings over black walls.
--This poem is from The Wooden Tongue Speaks, by Bogdan Tiganov, soon to be published by Honest Publishing.
You look overweight unprepared for a photograph.
You look dishevelled
Posing for a magazine.
You look like a drunkard
Alive to sentimentality now
You look proud wearing
A cracked leather jacket
Your father forgot behind
For you to recry memories.
Your grey eyes now
They stare like ice blue
Vodka.
Staring away to a cement reminder of mortality…
And who bled you? Who
Reinvented mathematics?
Failing his Nobel,
Painting his underwear red,
Shot you in sepia
Looking like a man not a child,
Like a wolf like a lion,
Like you’re unsure the
Dimension to carve up
And when but now
Your cheeks, wet, ballooned,
Wept demons and spread
Wings over black walls.
--This poem is from The Wooden Tongue Speaks, by Bogdan Tiganov, soon to be published by Honest Publishing.
A Dew Drop...
A Dew Drop Falling from a Bird's Wing
Wakes Rosalie, Who Has Been Asleep
in the Shadow of a Spider's Web
(after the painting by Joan Miró, 1939)
Rosalie asleep
(Or half asleep)
So sensuous
So slight
In her silken gown
She waits
A princess
For a morning knight
To kiss her mouth
And be awake
To be alive again.
Instead
The kiss is from
A soaring bird
Dropping morning dew
Upon her lips
Awakened byt the dawn
Beside a spreading
Spider's web.
No knight
No dawn
No dream
On, sweet Rosalie,
Better to sleep
Than be caught
In the shadow of the net.
-Neil Ellman is a retired educator living and working in New Jersey. During the past two years, he has published 125+ ekphrastic poems throughout the world, including four chapbooks, the most recent of which is The Great Metaphysician and Other Ekphrastic Inventions (Erbacce Press).
-Neil Ellman is a retired educator living and working in New Jersey. During the past two years, he has published 125+ ekphrastic poems throughout the world, including four chapbooks, the most recent of which is The Great Metaphysician and Other Ekphrastic Inventions (Erbacce Press).
Tuesday, November 9, 2010
Bukowski and Carver
Bukowski and Carver
I found Bukowski late,
already dead,
the same laggard way I discovered Carver.
Last night, though, the three of us had drinks
and my pen clinked against the glass
with each laugh,
both men croaky and smoking,
Chuck a drunken gargoyle with folds in his face
and Ray so shy he’d have been right at home
locked in an attack.
The evening went along
like a raft ride down rough rapids,
and just as I was about to get my question out,
the alarm plundered my dream with its thunder
so that I never did find out
if either one
thought I had talent. --Len Kuntz lives on a lake with his wife, son, an eagle and three pesky beavers. His work appears widely in print and online at such places as Clutching At Straws, The Camel Saloon and lenkuntz.blogspot.com
Catalan Landscape (The Hunter)
Catalan Landscape (The Hunter)
(after the painting by Joan Miró, 1923-24)
Perhaps he seems more a hunter
Than a hunted thing
Perhaps
There is pray to be had
On this Catalan plain
Where spiders abound
And vultures soar
With tireless
Meaningless contempt
Over villages
Of trilons and cones
And shapes without names
Perhaps
He is the hunted
One-eyed thing
The only one
Pushed to extinction
By a determined sun--Neil Ellman is a retired educator living and working in New Jersey. During the past two years, he has published 125+ ekphrastic poems throughout the world, including four chapbooks, the most recent of which is The Great Metaphysician and Other Ekphrastic Inventions (Erbacce Press).
Monday, November 8, 2010
The Woman
The Woman
I could not speak.
Maybe loved more gently
I could have.
Maybe if there was a moon
I could have.
But only sun -
a crazy glue
unswallowed
lips sealed
slays weds
impregnates
itself.
This is what I cannot say,
this is what they refuse to hear:
After death is pre- natal.
Through me, everything is world.
Without me?
Conception is by eating,
birth by excretion.
--PD Lyons newest book Caribu&Sister Stones published by Lapwing Press Belfast.
Labels:
PD Lyons
Sunday, November 7, 2010
icarus speaks
icarus speaks
sun above
sea below
one possible end
o irony
this moment alone
to learn
the death spiral
our one
true flight
sun above
sea below
one possible end
o irony
this moment alone
to learn
the death spiral
our one
true flight
--Rich Follett has recently returned to writing poetry after a thirty-year hiatus. He lives in the sacred and timeless Shenandoah Valley of Virginia, where he joyfully teaches English and Theatre Arts for high school students. His poems have appeared in numerous contemporary journals and e-zines, including BlazeVox, Paraphilia, Exercise Bowler, Calliope Nerve, Sugar Mule, Four Branches Press and Counterexample Poetics, for which he is a Featured Artist. He is the co-author of Responsorials (with Constance Stadler). Most recently, his haiku/photo combination Aurora's Adieu received first place honors in the first international iPoetry Poe-Tography Competition.
Tuesday, November 2, 2010
The Diary of a Seducer
The Diary of a Seducer
I have a mind
to dissolve your fingers.
What would it take?
What combination
of flesh and magic
is needed?
To turn your blood to dust.
I’m sure your teeth are wild.
Enough to test my tongue.
After that?
It’s all over.
. . . But the crunch.
--A.J. Huffman is a poet and freelance writer in Daytona Beach, Florida. She has previously published her work in literary journals, in the U.K. as well as America, such as Avon Literary Intelligencer, Eastern Rainbow, Medicinal Purposes Literary Review, The Intercultural Writer's Review, Icon, Writer's Gazette, and The Penwood Review.
I have a mind
to dissolve your fingers.
What would it take?
What combination
of flesh and magic
is needed?
To turn your blood to dust.
I’m sure your teeth are wild.
Enough to test my tongue.
After that?
It’s all over.
. . . But the crunch.
--A.J. Huffman is a poet and freelance writer in Daytona Beach, Florida. She has previously published her work in literary journals, in the U.K. as well as America, such as Avon Literary Intelligencer, Eastern Rainbow, Medicinal Purposes Literary Review, The Intercultural Writer's Review, Icon, Writer's Gazette, and The Penwood Review.
Monday, November 1, 2010
Dark Water and White Stone
Dark Water and White Stone
The perfume in this bottle has turned.
Bitter.
And stale as the air.
It settles on my skin
like lead.
I smell dead.
Smash the urn.
And grind it in my fist
till it’s ash.
But I am not its genie
or its master.
The pieces will not complete my wish.
They cling to me like sin.
Absorbing my resolve.
I dare not wear this shadow too long.
Mine is fickle.
Jealous.
And spends its nights
in solid despair.
Listen.
You can hear it
crying in the hall.
Open the door and it is gone.
Clinging to the feet of a nightmare.
Buried
in the breath of a rose.
--A.J. Huffman is a poet and freelance writer in Daytona Beach, Florida. She has previously published her work in literary journals, in the U.K. as well as America, such as Avon Literary Intelligencer, Eastern Rainbow, Medicinal Purposes Literary Review, The Intercultural Writer's Review, Icon, Writer's Gazette, and The Penwood Review.
The perfume in this bottle has turned.
Bitter.
And stale as the air.
It settles on my skin
like lead.
I smell dead.
Smash the urn.
And grind it in my fist
till it’s ash.
But I am not its genie
or its master.
The pieces will not complete my wish.
They cling to me like sin.
Absorbing my resolve.
I dare not wear this shadow too long.
Mine is fickle.
Jealous.
And spends its nights
in solid despair.
Listen.
You can hear it
crying in the hall.
Open the door and it is gone.
Clinging to the feet of a nightmare.
Buried
in the breath of a rose.
--A.J. Huffman is a poet and freelance writer in Daytona Beach, Florida. She has previously published her work in literary journals, in the U.K. as well as America, such as Avon Literary Intelligencer, Eastern Rainbow, Medicinal Purposes Literary Review, The Intercultural Writer's Review, Icon, Writer's Gazette, and The Penwood Review.
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