Whenever I see a new woman, I know
I should look at her hair and her eyes and her smile
before I decide if she's worth the small talk
and the dinner later
and whatever else she may require
before she becomes taffy,
pliant and smiling.
But that never works for me.
Whenever I see a new woman,
what matters to me is never
her hair or her eyes or her smile;
what matters to me is her saunter
as I stroll behind her.
If her moon comes over the mountain
and loops in languor, left to right,
and then loops back again,
primed for another revolution, then
I introduce myself immediately
no matter where we are,
in the stairwell or on the street
and that's when I see for the first time
her hair and her eyes and her smile
but they are never a distraction since
I'm lost in the music of her saunter.
Years ago, tall and loping Carol Ann
took a train to Chicago,
found a job and then one summer day
walked ahead of me on Michigan Avenue
while I surveyed her universe amid
the cabs screeching, horns beeping,
a driver's middle finger rising.
Suddenly she turned and said hello
and we shook hands and I saw her smile
dart like a minnow and then disappear
as she frowned and asked
why was I walking behind her.
I told her I was on my way to the noon Mass
at Holy Name Cathedral and she was welcome
to come along. The sermon wouldn't be much,
I said, but the coffee and bagels afterward
would be plentiful, enough to cover lunch.
And Jesus Christ Himself would be there.
She didn't believe me, not at all,
and she hasn't believed me since.
That was thirty years ago and now
her smile is still a minnow
darting here and there but now
it's more important than her saunter
which is still a symphony,
mostly Basie with a little Bach.
And I no longer traipse Michigan Avenue
as I did years ago looking for new moons
swirling in my universe. Instead,
I take my lunch in a little bag
on a long train from the suburbs
and I marvel at one fact:
It's been thirty years since I first heard
the music in her saunter
and Carol Ann and I are
still together, praise the Lord.
Who can believe it? Not I.
Carol Ann says she knew
the ending from the start.
Lord, Almighty. Fancy that.
--Donal Mahoney has had poems published in The Wisconsin Review, The Kansas Quarterly, The South Carolina Review, Revival (Ireland), The Istanbul Literary Review (Turkey), Public Republic (Bulgaria), Calliope Nerve, The Camel Saloon, Black-Listed Magazine, Phantom Kangaroo, Camroc Press Review, Leaf Garden and other publications.