Monday, January 31, 2011

From And We All Fall

#3
And it comes back
Around never been there
It isn't me can't they see
Want this rope tie myself
Need this more than you,
I just might sleep tonight
Surrender this machine and let me stay
Take me for a ride through you
Down to nowhere and down again
Break this cycle of myself
And I break
Twisting in the delusions sleeping with me
This selfish means defines me
Promise you I always knew
Turn away and grasp the sheet
Cold and sweat leaks have become
My best friends who walked away
Dream of a better way to be afraid
Underneath this ledge I hide medicated
And I'm slipping further from the ceiling
Crawl the walls because I have this feeling
Feels like I,
Dying I find a way
Somethings never change yet stay the same
I have found the place where illustrations of my mind
Paint something there asking what I can't speak
And what I wish you could know
So distant is the touch of disarmed honesty
There is something up there
Some can only know what they've missed
Losing one thing you can't buy
Brings me closer in my eyes
Never had this, never wanted more
Imagine an excuse to feel the abuse
Thoughts race and I refuse
I stay inside waiting for the light to shine through
It isn't me can't you see,
And it comes back
Around never been there
Can't this rope tie myself
To a void I awaken and fades away
Faces change and my heart fits the shape
Sleep alone,
I need this more than you
--Scott T. Swartz enjoyed free will and made his own choices until he no longer could. Life as a simple man, he began creative writing at a very young age and continued until his final diagnosis, after many, of schizoaffective disorder - bipolar type I (rapid cycle). Crawling out of the gap he ultimately began writing after he proceeded to obtain his General Education Development diploma, in lieu of high school graduation and attended a California community college. He also enjoyed writing lyrical poetry which he seeks to be performed in a rock band somehow. All obstacles aside, his choices returned after exhaustive treatment with a dark remainder: his inner tone and favorite past times of listening to music, exploring the internet to manifest future goals in vain, and living life as a free man contemplating a world of limitless potential yet to be revealed in the present tense...which still may be.

Sunday, January 30, 2011

Ascent/Descent

we scale the walls of treachery
pull the teeth from winter's yaw
with delicate fingers
deft hands
grimy, gutting glances
a bloodletting
consummated with
soiled paper sheets, you

milking shadows from the breasts of naked trees
closer to me than words on a page
these fragile things, like sleep
or paper thin prayers
illuminate you in fiery glass shards
for we are splintered
and sharp
for cutting

--Ag Synclair's work has appeared in numerous literary publications, chapbooks, anthologies, and 'zines, both online and in print. He drinks too much coffee, suffers from long bouts of writers block, and sometimes wishes poetry would just go away. He lives, writes, and is occasionally employed in Southwestern Montana.

Saturday, January 29, 2011

Genesis

Genesis

When you're gone, the world starts again, and I don't like it much. "A Million Little Pieces" James Frey

When you're gone, the world starts again, and I don't like it much
Things are nothing for a while
As I fist fight my shadows in the dark

When the stars straight jacket me to the mantel
and the ocean finally comes
The salt holds me accountable for every unkind word you ever said

I scream, with lungs full of water, for the shore line to finally meet me

When the land makes itself beneath my feet
The blueprints of my veins are stolen, copied, and recreated beneath the dust and dirt
to feed the seeds and grow us a sanctuary

I watch the sun rise again for the first time
And put the moon I pulled down just for you, back
I now know time, it's passage is insufferable and I wish I hadn't learned what days were

When I finally see you again
It is the first time for the both of us

--Dain Michael Down is a traveling story teller and founder of the anti bullying project The Strengthening Project. He started his creative life in Jersey and since has called Atlanta, Seattle, The Road, and Ohio home.  He currently resides in Oklahoma City as a member of an active poet house.

Friday, January 28, 2011

Sarah is a Snowwoman

Sarah walks to the frozen lake and lays her jacket across the snow. She steps out of her jeans and folds them over the jacket, removing clothes until the sharp chill of the wind hardens her already hard nipples. She tests the ice with her toes and lets the rest of her body follow like it followed Daddy thirteen years before.
And when Daddy comes to the lake, Sarah is a snowwoman. Her long, branchy arms lie across her snow chest. A snowwoman now, Sarah is a snowwoman.
And when Daddy is naked, he is not a snowman. He is Daddy and he walks like Daddy. He walks to Sarah and breathes onto her like Daddy. He walks around her like Daddy. His penis slides against her like Daddy. Her snow like Daddy. The snow like Daddy.
He slides his fingers across her cold, wet snow body, sliding them against her tongue, into her mouth.
“Sarah,” he says, before taking a step back. “My beautiful Sarah. You’re missing a nose.”
Sarah only notices now. Her plump bottom is firm. Her arms are long. Her eyes are even, but between them and beneath them, no nose. She rubs her tongue where she thought it was. No nose. 
            “Good thing Daddy’s here,” he says and rubs her snowy shoulder. “What would you do without Daddy?” He closes his eyes and puts his hands around his penis. Sarah watches as he twists it off. “This should fit,” he says and lifts it to her face. “This will be a perfect fit.”
He digs it into her face and kisses her. “My beautiful Sarah,” he says. “Now you really are my beautiful Sarah.”
            Small drops of blood slip down her cheek and fall across the ice like rain, like fire, like Sarah the snowwoman, who doesn’t say a word.  


--Shawn Rubenfeld is a Creative Writing graduate of SUNY New Paltz. He is looking for a job.

Thursday, January 27, 2011

What Right?

What Right?

Satirical rules govern our vague existence;
We must pay to live in their world;
Decency is mandated by the unethical;
Ignorance is rewarded by the blind.

       Wealth

               Hunger

                       Famine

Outside pressures push heavy on the internal.
The weight of the world is upon you;
The laws of gravity say this is true.
Reality is a place for the dead.

                       Disease

               Remorse

       Sadness

In our world their chains do not bind;
We deny the purpose they have given.
Solemn in our own right we have grown,
Until the veil shades us from their sight.

--Shawn Michael Hornsby has had his short fiction published in Static Movement, WeirdYear, and the anthology Daily Bites of Flesh 2011 (Pill Hill Press, 2010). For more information on his work, please visit his blog at ShawnMichaelHornsby.blogspot.com.

Wednesday, January 26, 2011

Approbations 859

Approbations 859
—after Jon Hassell’s Light on Water



Resembles cellular
            reconfigurations
                                                of mathematical conjure
                        rotating
surnames
after familial battles
                                                            relocate fashions of regrettable
                                    proclamations.  Of
a million ballerinas
                                                                                    wearing noon’s voyeuristic
                                                                        ideology
            they
complex in a moment’s resuscitating angles
dominate spasms with open
porcelain
                        relaying inlayed versions of a wrinkle’s apparent
dissipation.

--Felino A. Soriano (b. 1974) is a case manager and advocate for adults with developmental and physical disabilities. In 2010, he was chosen for the Gertrude Stein "rose" prize for creativity in poetry from Wilderness House Literary Review.  Philosophical studies collocated with his connection to classic and avant-garde jazz explains motivation for poetic occurrences.  For information, including his 40 print and electronic collections of poetry, over 2,500 published poems, interviews, and editorships, please visit his website: www.felinoasoriano.info.

Tuesday, January 25, 2011

Approbations 858

Approbations 858
—after Mathias Eick’s Fly



                                    that
functional adaptation
                                                requiring verbs to
                        counter descriptive modes of causational pause,
inability’s rendition to render
acclimation:

                                                            trust                 |                       reaffirm
                                    deity’s
modular acceptance
                                                                        hoping
amid donning hallow of rusted reinvention
                                                                                                followers
reclaim truth upon havoc’s elemental
            dispositional
remorse

--Felino A. Soriano (b. 1974) is a case manager and advocate for adults with developmental and physical disabilities. In 2010, he was chosen for the Gertrude Stein "rose" prize for creativity in poetry from Wilderness House Literary Review.  Philosophical studies collocated with his connection to classic and avant-garde jazz explains motivation for poetic occurrences.  For information, including his 40 print and electronic collections of poetry, over 2,500 published poems, interviews, and editorships, please visit his website: www.felinoasoriano.info.

Monday, January 24, 2011

Approbations 857

Approbations 857
—after Kirk Lightsey’s Wild Flower



Her saddened welt
                        leaning reactionary beckon
            following rain’s absent declaration of a
                                                                        window’s hazy moment
                                    blurred illumination
understands compressed
bouts of tonal obnubilated theories
                                                                                    why her
stem
                        softened rust
                                    curls
            back
toward soil’s birthing primitive devotion
                                                                                                promising death of
                                    silent admiration
becoming rarity of comprehended brevity
            hindering scent, orchestrated reinvention.  

--Felino A. Soriano (b. 1974) is a case manager and advocate for adults with developmental and physical disabilities. In 2010, he was chosen for the Gertrude Stein "rose" prize for creativity in poetry from Wilderness House Literary Review.  Philosophical studies collocated with his connection to classic and avant-garde jazz explains motivation for poetic occurrences.  For information, including his 40 print and electronic collections of poetry, over 2,500 published poems, interviews, and editorships, please visit his website: www.felinoasoriano.info.

Sunday, January 23, 2011

Approbations 856

Approbations 856
—after Philippe Sateau’s Horizon
 
                                                Flame
alters
            shadow’s unassuming pause
causational
                        sway of
wind’s dexterous chords
                                                            and flung disposition
                                    pairing angled paths of width and terror
among calming tonal fluctuation
                                                                        anatropous

--Felino A. Soriano (b. 1974) is a case manager and advocate for adults with developmental and physical disabilities. In 2010, he was chosen for the Gertrude Stein "rose" prize for creativity in poetry from Wilderness House Literary Review.  Philosophical studies collocated with his connection to classic and avant-garde jazz explains motivation for poetic occurrences.  For information, including his 40 print and electronic collections of poetry, over 2,500 published poems, interviews, and editorships, please visit his website: www.felinoasoriano.info.

Saturday, January 22, 2011

Approbations 855

Approbations 855
—after Andrew Hill’s Venture Inward
 
Scope interpretation
delegate finite response
organic humor suffices rejected
partial-hopes, the fathom rescued
whole, a beckon suspense answers
reliable constructive variations
body builds halved by fractioned
devotional reciprocating absence.  A
mirror relocates physiological annihilation
species spatial specialized reconstructive
errors, posing amid shadow-hands
holding full-known versions of introspective’s
analytical logic. 


--Felino A. Soriano (b. 1974) is a case manager and advocate for adults with developmental and physical disabilities. In 2010, he was chosen for the Gertrude Stein "rose" prize for creativity in poetry from Wilderness House Literary Review.  Philosophical studies collocated with his connection to classic and avant-garde jazz explains motivation for poetic occurrences.  For information, including his 40 print and electronic collections of poetry, over 2,500 published poems, interviews, and editorships, please visit his website: www.felinoasoriano.info.

Friday, January 21, 2011

Approbations 854

Approbations 854
—after Dave Holland’s The Leak
 

This innate progression
requires
            anecdotal freedom
to prosper among a noon’s positional sanity
                                    and portend
fixation on
fixing sporadic attention
requiring focus’ rendition of mathematical hallucination.

--Felino A. Soriano (b. 1974) is a case manager and advocate for adults with developmental and physical disabilities. In 2010, he was chosen for the Gertrude Stein "rose" prize for creativity in poetry from Wilderness House Literary Review.  Philosophical studies collocated with his connection to classic and avant-garde jazz explains motivation for poetic occurrences.  For information, including his 40 print and electronic collections of poetry, over 2,500 published poems, interviews, and editorships, please visit his website: www.felinoasoriano.info.

Thursday, January 20, 2011

When I Look into the Mirror

When I Look into the Mirror
 
A leafless old oak outside my window
that stands out against the blue—what tears should look like from blue eyes—
no clouds because they fell away to the sun.
I can see its edges, sharp.  But when I put on my glasses
I can see depth, shadows in the skin I did not know were there.
 
I.
 
The evening bells have rung and the news is old—
my son reads his words to me
innocent rhymes and sweet ideas.  There is a shadow
in his eyes when he hugs me
 
with a son’s love that I miss more than I thought I would
as he aged older and started junior high.
 
Turkey, sweet potatoes, pumpkin bread and beans
dot the plates with a dusting of crumbs.
On the floor we spin tops for an hour
while the chaos of clean-up blows around us—
we are oblivious:  smiling laughing playing.
 
At home, he went to his room and I to mine.
 
II.
 
Smoke from his early morning cigar fills the cab
so that he may not have seen me turning off the street
but my hands grip tighter my heart beats faster
for he must be the why I am late.
 
III.
 
The beautiful game, the pitch, the victories and the losses
have kept us close through the years.
But she no longer plays with a smile
 
and I cannot remember the last.  I speak to her of life,
what she looks for in a boy but she grins and pats my arm
and talks to her mother and I am left out.
 
Long ago, she held my hand when I took her to her first movie—
all smiles laughter and popcorn crumbs on her shirt
and stories to tell and wanting to go again tomorrow.
She wept in that range that crushed my bones
 
and it was the first disappointment.
 
IV.
 
I cannot find my glasses when I look in the mirror.
 
A voice screaming:  Where are you?
 
--JC Crumpton is a graduate of the University of Arkansas with a degree in English with a Creative Writing Emphasis.  He currently lives in Northwest Arkansas with his wife and two children, laboring often to keep the lights on and the mortgage paid.  His poetry has appeared in Outer Darkness, Dark Lady Poetry, Tainted Tea, Beyond Centauri, and Aoife's Kiss.

Wednesday, January 19, 2011

Private Mass

Private Mass

take a shot of whiskey
or say a prayer
good as any priest
no need for altar boys
a woman will do fine
if she's between
16 and 49
with eyes and a smile
and a body
that all say
"Take me
I'm all yours
and you're all mine
I'm all you
could ever want
to know or fuck"
you take another
shot of whiskey
say another prayer
and break bread alone
at the kitchen table
near the window
where street lights
look in and stare
outside is
the sound of crickets
and alley cats
and occasional
cars
but here all is
holy
and
a glow

--Joseph Farley edited Axe Factory for 24 years. His books include Suckers, For The Birds and Longing for the Mother Tongue (March Street Press).

Monday, January 17, 2011

Three Pieces by J.D. Nelson

Hi! Join the Fun Club!

It's called Fun Club
because it's so much fun
and it's a club!

Saltines and grape jelly!
Mini Cake on your birthday!

Fun Club is fun!
Fun Club is a club!
It's the Fun Club!

Stickers!
Pan pizza!
Root beer!

Don't forget the Mini Cake!
On your birthday!

Join the Funk Lub!


The Fjord Hissed

Denver Zoo. Dawn.

Woozy's bags are packed.


VERB THE FUME: Adios, Woozy, you old mooncalf.

WOOZY NYLONPAUSE: Grilled cheese ain't on the menu, but they still sell 'em.

VERB THE FUME: I like a thin wall of fat on my mammal.

WOOZY NYLONPAUSE: Remember when we ran out of Blue Dr Pepper?

VERB THE FUME: I can't get with that.


Nubblegum

Colorado didn't have a star on the flag until 1977. Chee-chaw, muscular knuckles. The welding party is here, Colonel. One rude dairyman. Tape and cake and cakey taping. I eat dirt. It is so good, you guys. Noon, darkest at mid-day. A dollar away, looking for a Sears or a Wendy's. A bottle of the morning at the bottom of the world. Pine is a common surname in these parts. Coleslaw raisins. Morning of noise. The cough of a sick truck. The stomach of noon. Primitive toothbrush socks. Socks, dangit. Faces ready for decoration. Green Testors in a little jar.


--J. D. Nelson (b. 1971) experiments with words and sound in his subterranean laboratory. More than 1,000 of his bizarre poems and experimental texts have appeared in many small press and underground publications. He is the author of THE FRANKENDELPHIA EXPERIMENT (Tainted Coffee Press, 2010) and NOISE DIFFICULTY FLOWER (Argotist Ebooks, 2010), which is available as a free download. Visit http://www.MadVerse.com for more information and links to his published work. His audio experiments (recorded under the name OWL BRAIN ATLAS) are online at http://www.OwlNoise.com. OWL NOISE 0, his album of experimental spoken word, is available as a free download at http://www.mediafire.com/owlnoise. J. D. lives in Colorado, USA.

Sunday, January 16, 2011

yes and

it was a
(yes
     and)
good day

d
awning
: and
beached
t(angle)s
of mussels

san k
beneath(s
    and)
the wind.

sun-
less glow-
ing sky

and nov-
ember
light
heading no-
rth.

the
sh-
ore-
green

rollers
co-
ming (le)
in

to
the dawning
yes and

--Anton Frost is a poet living in Grand Haven, Michigan.

Saturday, January 15, 2011

o'clock

the spiraling
nine

of the clock
turns
into the crux

of hours
and universes
as hoofs
mingle

with light
trampling dust.

the original
second is
of the minutiae
and of hinged

lines of
touch, of hands
of body of
thin air.

a silent coiled
   numeral

in the three-quarter
oblivion

of a failed circular
   flourish
  shapes from silence
  the favorable angling
     light

resuming
only
    from inner waves
      and tidal intuition

o'clock.

--Anton Frost is a poet living in Grand Haven, Michigan.

Friday, January 14, 2011

orange

orange,
simply;

an impression,
a handful
of summer;

a year cut
into four quarters.

rotund angles,
juiced nodes,
thin skin stuck in teeth.

fertile cervix,
rind pores.
the birth of taste,
light beyond visibility.

memories,
mother's terse fingers
undressing the orange,
making it easy;

rolling cloth away
from a wound,
the warmth of careful touch.

sound of knife laid
on the countertop,
fingers sharp with scent,

flaring around the fruit,
accommodating,

shiny with the
clean invisible cling
of survival.

--Anton Frost is a poet living in Grand Haven, Michigan.

Thursday, January 13, 2011

My Fable For You

My Fable For You

There's an extraction flowering in
magnificence, of bodies symmetrical as undersides

of wide petals. The process dismisses etiolating
the core of resplendence, empowered

with vigor complicitous as
molecules in photosynthesis. If

the object involves an
exotic idea, chances are, no

matter how slow the
extraction, an anemia of

suns sets in, a paleness
textured as lunar

vacuums. If the object
concerns Eden in

you levitating in the nexus
of tears and abandoned

proclivities, I crave the
intransigence of solipsism,

hardening exponentially
into the spacious

universe of skulls, where
gods still multiply,

vast as the
autism of myths.

--Michael Caylo-Baradi lives in California. Some of his work has appeared at  Otoliths, Metazen, BlazeVox, and elsewhere.

Wednesday, January 12, 2011

nee Darla

It’s two fourteen in the afternoon as I walk into a coffee shop. I order a small coffee and sit in front of the windows to look at people.
            I stare at a man wearing a suit, his face is pointed west as he waits for a bus. He doesn’t see me. It doesn’t matter. I’m waiting for nightfall.
            I’m thinking about buying a small farm of bunnies. Maybe ostriches. I’ve always had a thing for emus. I’m not sure which would make the best winter coats. I don’t want to fail in whatever I do, though. I care too much about succeeding.
In high school I had a 3.9 GPA. I kissed ass, sucked dick, cheated, and graduated second in my class. My parents were proud, except my father, who was dead.
I finish writing my daily expenses in a pocket notebook. I have spent one dollar thirteen cents on bad coffee and forty nine cents on a twinkie.
            Last week in the personals a man seeking a woman wanted her to peel the skin off of his back with a pair of unsterilized tweezers. He wanted to bind a book in his own leather. I could have been that woman but I was too late in reaching him. I will now remember to keep all my newspaper clippings organized.
            In my head I’m humming the theme to The Brady Bunch. I feel the woman sitting near me is also in my head.
In my head she swims in brains and vaginal fluid. This woman’s wearing sunglasses, but in my head she has green, red rimmed eyes that burn sockets behind my own. This woman’s head fills my own head and there is no space for my own air flatulence to privately expel.
I don’t mind because she looks like Alice the housekeeper.
I leave the coffee shop and walk through a crowded business district, filled with consumers carrying plastic shopping bags.
It’s three twenty two and I’m wearing red shoes. They are too long for my feet and I have to press my balls in them to keep centered. There is pressure on my toes as I walk through a stranger’s foot grooves. The underside of the leather is torn away from toenails and constant steps.
In a drugstore I could purchase a candy bar for seventy one cents. I’m saving my coins and crumpled bill for a specific cup of coffee. I casually steal a roll of breath mints. Near pharmaceutical counters under fluorescent lights are rush hour lines waiting for a recognized modern life and fresher vitamin pills. The costumers can smell the dirt on me. I don’t mind.
I’m in the subway traveling out of the city. I stare at my reflection in the lights coming off the dark and notice the way old acne scars make me ugly. My small hands travel up legs and pause on my tummy. I scratch my head with the razors under my fingernails, tearing away blood and dandruff.
It’s five fifty four. I’m two stops from the end of the line.
At the moment I am sexually frustrated and think about saving for a prostitute. With her tongue inside me I will blow her head with a shotgun. Her scalp will wear my pelvis like a hat.
I walk off the train and look over the safety rail of the platform. It is growing dark. I have wasted daylight like I waste all daylight.
I walk twelve blocks west and four blocks north. I stop in a diner. I order a coffee and drink it in the back so I can keep my wired eyes on incoming costumers. I leave my porcelain cup to relieve myself in their facilities.
I wash my hands several times in apprehension for the busy night. In my back pocket is a sewing kit. The larger pockets of my jacket carry plastic bags.
I have been ready for tonight now for weeks. I have been following the obituaries. I know whose grandmother has died and I know what religion she was. She was Protestant. Her name was Carlton, nee Marlowe. I always thought Virginia was a pretty name.
I walk south for seventy four minutes. It is nine forty eight. I will move at one eighteen. I swing in a public playground. The tire in front of me rocks from wind.
I kick empty soda cans and old cigarette butts. At the bottom of the tunnel slide is a condom wrapper, sticky with pre-ejaculatory fluid, an existence created only for rebelling against established failure. The sky will not rain tonight, the forecast says morning.
I go to the cemetery and walk through the open gate. I rummage through a grounds keeper’s things. I find a shovel and grandmother’s new grave. I disturb the earth and six feet in I open the coffin. It is three eleven as I clip off grandmother’s face with sewing scissors and keep it in plastic grocery bags. 
I climb on top of her and dig my thighs around her back. We are comfortable. I look into her empty face and tell her how my day went. I tell her about blisters on the underside of my fingernails from superglue and what I wanted to do with my life when I was fifteen. We spend long hours discussing current politics and what it feels like to be in love.
This grandmother would have made wonderful cookies. Had she lived longer than last week she could have baked several pies and left them on windowsills, dirt and grime filling around crusts.
I leave her and fill in her grave with disturbed earth and flowers from surrounding burials.

--Susie Swanton's poetry has appeared or is forthcoming in the cream city review and The North Central Review. She performed in the entry of The Encyclopedia Show Chicago which featured slices of John Wayne Gacy's brain.

Tuesday, January 11, 2011

Three Pieces By Joseph M. Gant

End Of The Chain

am I the only moments that you
make yourself of?

take back the watch
rewound to better hours. gears
bent ticking hearts;

the minute of dismay, the hour of intent,
the days of stained regret stamped hard on faces

bent into the morning’s break.
second hand sentiments passed
into me from where you hang.

did you speak so easy to yourself
in darkness of the falling noon?

was it pain or love or hand-in-hand;
head-in-heart, arms around
the thistle bush—

am I the only moments that you
pass the time into?


Watching

scarecrow in the fields I make,
unwholesome crops watched over by;
you pull your duties well.

I’d raise an acre in the name of
fortitude, if such soils did allow.

the sowing of the harvest,
the reaping of the seed
is all this planter knows to do

and fertilize the feet that sink in mud
becoming home to impasse toiling.

scarecrow watching me here rot,
calling buzzards to the feast laid well
I am no crow and shall remain.


The Wash

she cried beside the laundry.
the sound of change that hit
the floor was amplified by
flannel blue, piled high and needing.

the orphaned gaze of tired eyes,
fixed onto their shattered lids
and hapless in the afternoon.

the broken heart, phantasmagoric

play upon the reaching hands;
no clothes could hide nor even
touch the wounds of make-believe.

and ghosts pretend to see us
in the shades of our disquietudes.

--Joseph M. Gant is a scientific glassblower by trade but a writer by passion. His work has appeared widely in the independent, academic, and commercial press. Joseph lives in the Philadelphia area where he edits poetry for a Sex And Murder Magazine and writes reviews for Outsider Writers Collective. His first full-length collection of poetry, Zero Division, is forthcoming with Rebel Satori Press.

Monday, January 10, 2011

Untitled

Charity dance with me
this might be love

Walk with me under a snow silent sky
Talk with me
  we might speak love

Charity sing with me
  this might be love

Walk with me beyond the wonder why
Sit with me
  we might touch love

Charity dance with me
This might be love

--William C. Burns Jr.
my life? . . .
throw in a few flying zombies
and you'd have an episode of Dr. Who

Sunday, January 9, 2011

Good For His Word


            Struggling under the weight of the tremendous goose, old Scrooge finally made it through Bob Cratchit’s door.
            “Merry Christmas!” Scrooge exclaimed, thrusting his hand up the arse of the goose and extracting a large bottle of Scotch whiskey.  “A goose and a bottle of Scotland’s finest for hot toddies all around!”
            Scrooge and the Cratchit family sat around the waning fire, drinking and remembering.
            “Hand me another toddy,” Scrooge said, unsteady in his chair.
            “You’ve already had twelve, sir.”
            “I have a lot of amends to make – in all matters of life.”
            “I’m cold!” Tiny Tim said, shivering on his little stool in the corner.
            “No more logs?” Scrooge inquired.
            “On my salary, the wood is too precious,” Bob said.
            “All that is going to change,” Scrooge said, leaning into the fire to light his Christmas pipe.  “I’m going to help you in more ways than you know.”
            “I can’t seem to get it to catch,” Scrooge said, lurching forward.
            “What in blazes!” Too near the fire, a wayward spark ignited Scrooge’s greatcoat and his entire person erupted with a pop and a roar.
            “Blimey!” Bob said, startled.  “I’ve heard of spontaneous combustion, but I’ve never…!  When Scrooge first arrived, I must admit I had doubts about the sincerity of the penny pincher’s amazing transformation, but he has supplied us not only with goose and whiskey, but also a blazing fire.  I guess the miser was good for his word, after all.  Come, Tiny Tim, warm your hands before old Scrooge dies down.”

--Steven Gulvezan was born in Detroit and has spent his career as a library director and a journalist.  His fiction and poetry have appeared in over twenty different literary publications.  He is an avid tennis fan, a prolific reader, a member of the Mystery Writers of America and a film aficionado.  He resides in Michigan with his wife, Karen and his dog, Yogi.

Saturday, January 8, 2011

speak to me

speak to me
speak to me
with ashes in your mouth
for i would rather hold your ashes
than the roses of most other folk

let me sit in your silence
if it is silence you need or wish
for i would rather watch the sky grow pewter
then watch a fabulous sunset without you

cast me in your fantasy
if it pleases you
but do not cast me away . . .

--William C. Burns Jr.
my life? . . .
throw in a few flying zombies
and you'd have an episode of Dr. Who.

Friday, January 7, 2011

the hardest part of any act of art

the hardest part of any act of art

her dance was not the dry lands
the arid sand dragons undulating under a full moon

her dance was not the cascading waters
the sure and subtle water dragon undulation in the creek bed

her dance was not the fires of the desires
the sensual and glowing display of want and need

her dance was the wind
the way the leaves chance dance as they hiss and sigh
in autumn
in cathedrals of hiss whisper

she was the rose burgeon in the night of the garden
she was the dangling rose colored ribbon turning and rippling
pale and dark under a sky gone cold
she was every woman who has ever lived and loved

her every movement
every nuance
every pause and gyration
was a prayer in a language of the Heart

and . . .
and perchance the hardest part of any act of art
her dance was not for me . . .


--William C. Burns Jr.
my life? . . .
throw in a few flying zombies
and you'd have an episode of Dr. Who

Thursday, January 6, 2011

The Wind and the Beach

The Wind and the Beach

Here
here on the sand
the once glistening tawny sand
now dark
dark with the coming tide
dark in this winter's night

The wind dragon walks the starlit night with me and I stop
it tugs at my clothes like a frittty, my dog . . .
he was my only dog and I didn't cry when he died
because I was empty inside
with no tears inside
and now I walk beside this dark ocean of tears
and all that I might cry in this and all my other lives
all that I might cry . . .
will not make one inch of difference in the seas

Here
here on the sand
the once glistening tawny sand
now dark
dark with the coming tide
dark in this winter's night

The memory of her hands molds a sandcastle me
kinda like a sand snow man
not really standing but more a sphinx-like pose

And the wind . . . the wind whips up streamers of sand
casting them at me like insults

Parts of me start to abrade in this embrace
fingers and features are erased
I want to scream but have no mouth
I want to cry but have no eyes
I want . . . somehow that says it
I want . . . wanted . . .

Here
here on the sand
the once glistening tawny sand
now dark
dark with the coming tide
dark in this winter's night

The wind tires of dancing alone
and sets out for other places and other faces

What does the wind want?

--William C. Burns Jr.
my life? . . .
throw in a few flying zombies
and you'd have an episode of Dr. Who

Wednesday, January 5, 2011

to know no reason why

to know no reason why

to navigate the eye of the camel
to walk this darkness dry

to wound without a shovel
to know no reason why

to navigate the eye of the storm
to walk through the hole in the zero

to wound without a second glance
to know no reason why

to navigate the dark eye of night sky
to walk the spine of Nyx

to heal and make all that new blood
to know no reason why

--William C. Burns Jr.
my life? . . .
throw in a few flying zombies
and you'd have an episode of Dr. Who

Tuesday, January 4, 2011

Contemporary Chocolate buffalo

Contemporary Chocolate buffalo

Derek didn't notice?
is this Houston?
toothpaste Unicorn?

Kelley's married to the Collection
John is a Museum (I think Fine Arts
could be something else)

Tokyo

--William C. Burns Jr.
my life? . . .
throw in a few flying zombies
and you'd have an episode of Dr. Who

Monday, January 3, 2011

People, people

I have this friend
as beautiful as her country.
The first time she came to mine
she was aghast at the sight of
so many people.
People everywhere,
people, people.
She told me her country has a mere
seven hundred thousand.
I told her I carry that many in my pockets.
Why, my extended family would be
ten percent of that.
She almost fainted but asked
‘Why so many?’
I couldn’t give her a decent answer
tell her why so many are poor
why there’s so much hunger;
one and a half billion
rising by more than a
thousand every minute
a sea of humanity.
People everywhere
people, people.     
Pushing, prodding
working, sleeping
reading, discussing
living, dying.                                                                                                                                                                                       
I turned to her and asked
'Would you like to take some?’


--Subhakar Das writes from Guwahati, India where Brahmaputra blesses or corrupts its faithful depending on its many moods. His work, mostly poetry and fiction, has appeared in various e-zines, anthologies, print magazines and newspapers.

Sunday, January 2, 2011

The Yellow Butterfly

The Yellow Butterfly


crying acrimoniously over a faulty Christmas toy,
coming across that sickly butterfly,
lying comatose, in the abandoned garden littered
by soggy rotten leaves and wet finger-like twigs,
quite near the old village cemetery

both her hands were now yellow and as she
wiped her warm tears the color entered her eyes

back in her messy room she put the butterfly
on her bed, playing naively with its wings,
seeking some Christmas merriment in her own way,
stroking inquisitively its four small, very dark circles

a few yellow holes were soon dug in the bed sheet
as she shifted the morbid fly and her thrilled body
why butterfly, she told herself, musing
maybe it was like healthy butter flying when alive

that night it was so black that she couldn’t sleep,
seeing a gargantuan butterfly eating her lips
soon she felt a yellow abyss opening in the bed,
the weight of the butterfly pushing her inside
as her voice was killed by bloody fingers
creeping cruelly all around her parched throat

--Amit Parmessur has been writing for the past 8 years, being more serious this year. He has appeared and been accepted in SHALLA’s Magazine, Carcinogenic Poetry, Catapult to Mars, Eunoia Review, The Houston Literary Review, Puffin Circus, Ann Arbor Review, Damazine, LITSNACK, and Heavy Hands Ink among others. He also speaks French, Creole and Hindi and is always very close to the land of his ancestors, India.

Saturday, January 1, 2011

Ten Thousand Views of a White Hare

Ten Thousand Views of a White Hare

In the lines of this page
They are winking winking
At you
Without pocket watch or monocles
In this sentence alone one thousand rabbits stare
Unnerving themselves and probably you
As you eat your daily brunch
Drink your poison sugar water
To wash away the hamburger’s stain
Which injects madcowness into you-
You will swoon and sway as
The white hares infect you
Cows feel it deeply in their thighs
So they don’t become football hides
or
Thousands of hares won’t become
Lucky charms for children
Dead wrong
dead hares
Accuse you of killing them for luck
You fell asleep at the wheel
in your fast red car
Slaughtering scores and scores
While your stomach grumbled for dinner
Supper of beefburgers fried with innocent blood
You knew who they were
Does not matter though
you don’t think about it
Though the hares care and wait.


--James D. Dilworth is a  writer and teacher.  He has written short stories, novels, poetry and plays and screenplays.  James publishes Non-Creative Garbage, an erstwhile lit 'zine, from time to time and will do it more often VERY soon.  Check him out at www.sejdb.com or www.noncreativegarbage.org.